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Preface to the Second Edition | |
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Acknowledgments | |
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Introduction | |
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The Idea of Modernity | |
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Modern Dwarfs on the Shoulders of Ancient Giants | |
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The Problem of Time: Three Eras of Western History | |
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It Is We Who Are the Ancients | |
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Comparing the Moderns to the Ancients | |
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From Modern to Gothic to Romantic to Modern | |
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The Two Modernities | |
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Baudelaire and the Paradoxes of Aesthetic Modernity | |
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Modernity, the Death of God, and Utopia | |
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Literary and Other Modernisms | |
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Comparing the Moderns to the Contemporaries | |
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The Idea of the Avant-Garde | |
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From Modernity to the Avant-Garde | |
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The "Avant-Garde" | |
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Metaphor in the Renaissance: A Rhetorical Figure | |
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The Romantic "Avant-Garde": From Politics to the Politics of Culture | |
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Some Mid-Nineteenth-Century Writers and the Avant-Garde | |
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Two Avant-Gardes: Attractions and Repulsions | |
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Avant-Garde and Aesthetic Extremism | |
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The Crisis of Avant-Garde's Concept in the 1960s | |
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Avant-Garde, Dehumanization, and the End of Ideology | |
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Avant-Garde and Postmodernism | |
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Intellectualism, Anarchism, and Stasis | |
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The Idea of Decadence | |
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Versions of Decadence | |
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From "Decadence" to "Style of Decadence" | |
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The Decadent Euphoria | |
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Nietzsche on "Decadence" and "Modernity" | |
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The Concept of Decadence in Marxist Criticism | |
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Il Decadentismo | |
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Kitsch | |
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Kitsch and Modernity | |
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Kitsch, Camp, and High Art | |
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Etymology, Contexts of Usage, and the "Law of Aesthetic Inadequacy" | |
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Kitsch and Romanticism | |
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Bad Taste, Ideology, and Hedonism | |
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Some Stylistic Considerations | |
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Kitsch and Cultural Industrialization | |
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The "Kitsch-Man" | |
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On Postmodernism (1986) | |
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A New Face of Modernity | |
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Epistemology and Hermeneutics: From Modernity to Postmodernity | |
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The Silence of the Avant-Garde | |
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The Novelty of the Past: The View from Architecture | |
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Critiques of Postmodernism | |
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Literary Postmodernism: The Shaping of a Corpus | |
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Postmodernist Devices and Their Significance | |
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Notes | |
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Selected Critical Bibliography | |
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Index | |