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| An Introduction to the Total Work of Art | |
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| Ubiquitous Gesamtkunstwerk | |
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| Reverent Misunderstandings | |
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| Nationalism and Internationalism | |
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| Medium Specificity and Interdisciplinarity | |
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| The Utopian Gesamtkunstwerk | |
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| Revolutionary Dresden | |
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| Origins and Sources | |
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| The Gesamtkunstwerk of the Future | |
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| The Audience of the Future | |
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| Building Bayreuth | |
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| Theoretical Architecture | |
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| Gottfried Semper and Munich | |
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| The Bayreuth Festival Theater | |
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| The Modern Auditorium | |
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| The Mystical Abyss | |
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| Empathy Abstracted | |
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| Aesthetic Empathy | |
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| Empathy and Relief | |
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| Psychological Empathy | |
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| Empathy and Abstraction | |
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| Self-Estrangement and the Fear of Space | |
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| The Nietzschean Festival | |
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| Georg Fuchs and the Cult of Nietzsche | |
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| The Darmstadt Artists' Colony | |
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| Peter Behrens, Theater Reformer | |
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| The Stage of the Future | |
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| The Prinzregententheater in Munich | |
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| Retheatricalizing the Theater | |
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| Ausstellung M�nchen 1908 | |
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| The Munich Artists' Theater | |
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| Abstraction on a Shallow Stage | |
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| Hildebrand and Relief Sculpture | |
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| Critical Responses | |
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| The Specter of Cinema | |
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| Projections in Munich | |
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| Advertising and Consumption | |
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| Hugo M�nsterberg and the Photoplay | |
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| Reproducing Sound | |
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| Absorption and Distraction | |
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| Bauhaus Theater of Human Dolls | |
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| Theater at the Bauhaus | |
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| Automata, Marionettes, and Dolls | |
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| Spectators and Estrangement | |
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| The Triadic Ballet | |
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| Costume Parties and the Gesamtkunstwerk | |
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| Invisible Wagner | |
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| Intoxication and Addiction | |
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| Sorcery, Conducting, and Hypnosis | |
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| Theodor Adorno, Phantasmagorical History, Failure | |
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| Dilettantism | |
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| Haunting Modernism | |
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| Acknowledgments | |
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| Notes | |
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| Bibliography | |
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| Index | |