Revolution Televised Prime Time and the Struggle for Black Power

ISBN-10: 0816644322
ISBN-13: 9780816644322
Edition: 2005
Authors: Christine Acham
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Description: After a decadelong hiatus, African Americans once again began appearing regularly on television in the 1960s. Bill Cosby costarred on I Spy, Sammy Davis Jr. briefly hosted a variety show, and in 1968 Diahann Carroll debuted in the title role of  More...

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Book details

Copyright year: 2005
Publisher: University of Minnesota Press
Publication date: 10/15/2005
Binding: Paperback
Pages: 256
Size: 6.00" wide x 9.25" long x 0.50" tall
Weight: 0.682
Language: English

After a decadelong hiatus, African Americans once again began appearing regularly on television in the 1960s. Bill Cosby costarred on I Spy, Sammy Davis Jr. briefly hosted a variety show, and in 1968 Diahann Carroll debuted in the title role of Julia, the first television series to star an African American since the cancellation of "Amos 'n' Andy. Over the next ten years, shows with African American casts became more common; some, like "Sanford and Son and "Good Times, were hits with both black and white audiences. Yet many within the black community criticize these programs as perpetuating demeaning stereotypes and hampering the political progress made by African Americans. In "Revolution Televised, Christine Acham offers a more complex reading of this period in African American television history, finding within these programs opposition to dominant white constructions of African American identity. She explores the intersection of popular television and race as witnessed from the documentary coverage of the civil rights and Black Power movements, the personal politics of Flip Wilson and "Soul Train's Don Cornelius, and the ways in which notorious X-rated comic Redd Foxx reinvented himself for prime time. Reflecting on both the potential of television to effect social change as well as its limitations, Acham concludes with analyses of Richard Pryor's politically charged and short-lived sketch comedy show and the success of outspoken comic Chris Rock. "Revolution Televised deftly illustrates how black television artists operated within the constraints of the television industry to resist and ultimately shape the mass media's portrayal of African American life. ChristineAcham is assistant professor in African American and African studies at the University of California, Davis.

Acknowledgments
Introduction
Reading the Roots of Resistance Television of the Black Revolution
Was the Revolution Televised? Network News and Black Journal
What You See Is What You Get Soul Train and The Flip Wilson Show
This Ain't No Junk Sanford and Son and African American Humor
Respect Yourself! Black Women and Power in Julia and Good Times
That Nigger's Crazy The Rise and Demise of The Richard Pryor Show
Conclusion: Movin' On Up Contemporary Television as a Site of Resistance
Notes
Bibliography
Index

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