New Latin American Cinema Theory, Practices, and Transcontinental Articulations

ISBN-10: 0814325858
ISBN-13: 9780814325858
Edition: 1997
List price: $23.95 Buy it from $19.19
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Description: Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, essays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged  More...

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Book details

List price: $23.95
Copyright year: 1997
Publisher: Wayne State University Press
Publication date: 4/1/1997
Binding: Paperback
Pages: 336
Size: 6.25" wide x 9.25" long x 0.75" tall
Weight: 0.990
Language: English

Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, essays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume explores the formation of the New Latin American Cinema movement, its national and continental implications (including the diasporic/exilic experience) and transcontinental articulations through the writings of pioneer film-makers and scholars. Glauber Rocha, Julio Garcia Espinosa, Jorge Sanjines, Fernando Solanas and Octavio Getino address the central question of the Latin American aesthetic - a particular style and production method connected with the political and social conditions and circumstances of Latin America. Ana Lopez, Julianne Burton and Michael Chanan examine the movement's formation in the 1950s and its development through the 1980s in a socio-historical context, paying special attention to modes of production and consumption. Paul Willemen assesses the movement's relevance to radical film practice and theory in the First and Third Worlds, and Antonio Skarmeta calls for a distribution network of Third World Cinema on a pan-European level. The volume concludes with essays by Ruby Rich and Zuzana M. Pick who address, from widely different approaches, the issues of the movement's adaptability, renovation and identity, in consideration of its evolution since the 1950s.

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