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| Berton Coffin, 1910-1987 | |
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| Preface | |
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| Historical Background | |
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| Pier Francesco Tosi: Observations on the Florid Song | |
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| Giambattista Mancini: Practical Reflections on the Figurative Art of Singing | |
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| Manuel Garcia I: Exercises and Method for Singing | |
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| Manuel Garcia II: Memoire on the Human Voice | |
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| Manuel Garcia II: New Treatise on the Art of Singing | |
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| Mathilde Marchesi: Theoretical and Practical Vocal Method and Ten Singing Lessons | |
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| Julius Stockhausen: Method of Singing | |
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| Enrico Delle Sedie: Esthetics of the Art of Singing and of the Melodrama | |
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| Emma Seiler: The Voice in Singing | |
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| Francesco Lamperti: A Treatise on the Art of Singing | |
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| Giovanni Battista Lamperti: The Technics of Bel Canto | |
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| William Shakespeare: The Art of Singing (Part I) | |
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| William Shakespeare: The Art of Singing (Part II) | |
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| Herbert Witherspoon: Singing | |
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| William Earl Brown: Vocal Wisdom: Maxims of G. B. Lamperti | |
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| Margaret Chapman Byers: "Sbriglia's Method of Singing" | |
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| William Johnstone-Douglas: "The Teaching of Jean de Reszke" | |
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| Lilli Lehmann: How to Sing | |
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| The Relationship of the Breath, Phonation, and Resonance in Singing | |
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| A Recommendation for the Correction of Pitch Involving Performances of Singers in Opera, Oratorio, and Choral Music of the Baroque-Classic Period, 1620-1820 | |
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| The Tonal Art of Singing | |
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| The Instrumental Resonance of the Singing Voice | |
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| The Relationship of Phonation and Resonation | |
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| Articulation for Opera, Oratorio, and Recital | |
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| From the President | |
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| The Singer's Diction | |
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| Remembering Berton Coffin | |
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| Biography of Berton Coffin | |
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| Delle Sedie's Modifications of the French A in the Modulated Voice of Singing | |
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| Bibliography: Published Books and Articles by Berton Coffin | |