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Preface | |
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Introduction: How to Look at a Play | |
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The Four Causes | |
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A Case in Point | |
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You're the Expert | |
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Questioning the Play | |
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Structural Components | |
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What Is a Play? | |
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Play Versus Story | |
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What Kind of Story Makes a Play? | |
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What Is a Dramatic Action? | |
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The Nature of Change: Its Four Levels | |
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The Six Elements of a Play | |
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Questioning the Play | |
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Plot: The Beginning | |
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A Plot by Definition | |
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Dramatic Action: An Overview | |
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The Beginning | |
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Questioning the Play | |
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Plot: The Middle, the Ending, and Other Matters | |
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The Middle | |
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The Ending | |
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What about Other Kinds of Structures? | |
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Questioning the Play | |
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Characters | |
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The Literal Aspect | |
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The Functional Aspect | |
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The Connotative (or Symbolic) Aspect | |
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Questioning the Play | |
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Language | |
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Language as a Set of Codes | |
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Words as Symbols of Meaning | |
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Words as Euphonics | |
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Questioning the Play | |
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Genres | |
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Classic Tragedy | |
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What Is the Mood of a Classic Tragedy? | |
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What Sort of World or Society Forms the Setting? | |
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What Typical Plot Pattern Does a Classic Tragedy Follow? | |
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What Characters Appear in a Classic Tragedy? | |
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What Kinds of Tragedy Are There? | |
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Questioning the Play | |
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Classic Comedy | |
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What Is the Mood of a Classic Comedy? | |
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What Sort of World or Society Forms the Setting? | |
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What Typical Plots Does a Classic Comedy Have? | |
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What Characters Appear in a Classic Comedy? | |
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What Is "Funny"? Sources of Laughter | |
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What Kinds of Comedy Are There? | |
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Questioning the Play | |
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Melodrama | |
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What Is the Mood of a Melodrama? | |
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What Is the World of a Melodrama? | |
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What Typical Plot Patterns Does a Melodrama Use? | |
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What Sort of Characters Are Typical? | |
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Questioning the Play | |
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Farce | |
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What Is the Mood of a Farce? | |
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What Is the World of a Farce? | |
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What Typical Plots Appear in a Farce? | |
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What Sort of Characters Appear in Farce? | |
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Questioning the Play | |
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Alternate Genres | |
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Drama | |
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Tragicomedy: The Work of Chekov | |
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Classifying Subgenres | |
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Questioning the Play | |
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Styles | |
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Realism | |
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Background | |
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What Are the Concerns of the Author? | |
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What Is the Point of View of the Author? | |
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How Comprehensible Is the World? | |
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How Is the Plot Constructed? | |
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What Is the Substance/Texture of the Characters? | |
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What Is the Setting? | |
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How Is Language Used? | |
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What Is the Form? | |
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How Does Realism Define the World? | |
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Questioning the Play | |
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Symbolism | |
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Background | |
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What Are the Concerns of the Author? | |
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What Is the Point of View of the Author? | |
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How Comprehensible Is the World? | |
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How Is the Plot Constructed? | |
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What Is the Substance/Texture of the Characters? | |
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What Is the Setting? | |
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How Is Language Used? | |
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What Is the Form? | |
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How Does Symbolism Define the World? | |
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Questioning the Play | |
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Expressionism | |
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Background | |
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What Are the Concerns of the Author? | |
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What Is the Point of View of the Author? | |
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How Comprehensible Is the World? | |
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How Is the Plot Constructed? | |
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What Is the Substance/Texture of the Characters? | |
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What Is the Setting? | |
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How Is Language Used? | |
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What Is the Form? | |
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How Does Expressionism Define the World? | |
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Questioning the Play | |
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Theater of the Absurd | |
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Background | |
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What Are the Concerns of the Author? | |
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What Is the Point of View of the Author? | |
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How Comprehensible Is the World? | |
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How Is the Plot Constructed? | |
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What Is the Substance/Texture of the Characters? | |
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What Is the Setting? | |
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How Is Language Used? | |
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What Is the Form? | |
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How Does Theater of the Absurd Define the World? | |
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Questioning the Play | |
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Epic Theater | |
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Background | |
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What Are the Concerns of the Author? | |
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What Are the Alienation Effects of Production? | |
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What Alienation Effects Appear in the Text? | |
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How Does Epic Theater Define the World? | |
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Questioning the Play | |
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Postmodernism | |
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Background | |
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The Assumptions of Liberal Humanism | |
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The Assumptions of Postmodernism | |
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Characteristics of Postmodern Plays | |
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How Does Postmodernism Define the World? | |
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Questioning the Play | |
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Glossary | |