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| List of Illustrations | |
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| Preface | |
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| Overview: The Filmmaking Generations | |
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| History in and out of Melodrama: Glory, Guilt, and Fantasy | |
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| Two Stage Sisters (Wutai jiemei, dir. Xie Jin, 1965) | |
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| Director's Notes "Two Stage Sisters: The Blossoming of a Revolutionary Aesthetic" | |
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| Hibiscus Town (Furong zhen, dir. Xie Jin, 1986) | |
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| Director's Notes "Society and Subjectivity: On the Political Economy of Chinese Melodrama" | |
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| Farewell My Concubine (Bawang bie ji, dir. Chen Kaige, 1993) | |
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| Director's Notes "The Concubine and the Figure of History: Chen Kaige's Farewell My Concubine" | |
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| Speaking for the Other: Changing Allegorical Roles for Women | |
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| Street Angel (Malu tianshi, dir. Yuan Muzhi, 1937) | |
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| An Outline for Viewing Street Angel "The Textual and Critical Difference of Being Radical: Reconstructing Chinese Leftist Films of the 1930s" | |
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| Three Women a.k.a. Women Side by Side (Liren xing, dir. Chen Liting, 1949) | |
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| From "Xin nuxing to Liren xing: Changing Conceptions of the 'New Woman' in Republican Era Chinese Films" | |
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| Woman, Demon, Human a.k.a. Human, Woman, Demon (Ren gui qing, dir. Huang Shuqin, 1988) | |
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| Director's Notes "Human, Woman, Demon: A Woman's Predicament" | |
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| Ju Dou (dir. Zhang Yimou, 1990) | |
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| Director's Notes "Ju Dou--A Hermeneutical Reading of Cross-Cultural Cinema" | |
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| Cinema Exotica: Ethnic Minorities as the PRC's "Internal Other" | |
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| Girl from Hunan (Xiangnu Xiaoxiao, dir. Xie Fei, Wu Lan, 1986) | |
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| Director's Notes "'Hsiao-hsiao' and Girl from Hunan: Teaching Chinese Narrative, Not Just Chinese Fiction" | |
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| Sacrificed Youth (Qingchun ji, dir. Zhang Nuanxin, 1985) | |
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| Director's Notes "Is China the End of Hermeneutics?; or, Political and Cultural Usage of Non-Han Women in Mainland Chinese Films" | |
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| Horse Thief (Daoma zei, dir. Tian Zhuangzhuang, 1986) | |
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| Director's Notes "Tian Zhuangzhuang, the Fifth Generation, and Minorities Film in China" | |
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| The Chinese Western: Roots Hidden in the Yellow Earth | |
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| Yellow Earth (Huang tudi, dir. Chen Kaige, 1984) | |
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| Director's Notes "The 'Hidden' Gender in Yellow Earth" | |
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| Old Well (Lao jing, dir. Wu Tianming, 1987) | |
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| Director's Notes From "Digging an Old Well: The Labor of Social Fantasy" | |
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| Red Sorghum (Hong gaoliang, dir. Zhang Yimou, 1987) | |
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| Director's Notes "Red Sorghum: Mixing Memory and Desire" | |
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| New City Films: Beyond-Yellow-Earth Experiences of Postsocialism | |
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| Black Cannon Incident (Heipao shijian, dir. Huang Jianxin, 1985) | |
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| Director's Notes From "Post-Socialist Strategies: An Analysis of Yellow Earth and Black Cannon Incident" | |
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| Good Morning, Beijing (Beijing, nizao, dir. Zhang Nuanxin, 1990) | |
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| Director's Notes "In Search of the Real City: Cinematic Representations of Beijing and the Politics of Vision" | |
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| Discussion Questions | |
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| Pronouncing Romanized Chinese | |
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| Video Purchase and Film Rental Information | |
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| Bibliography | |
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| Index | |