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Making Documentary Films and Reality Videos A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events

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ISBN-10: 0805044515

ISBN-13: 9780805044515

Edition: 1997 (Revised)

Authors: Barry Hampe

List price: $22.99
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Description:

Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than 150 documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events—and shows students how to do both effectively. Covering all the steps, from conceptualization to completion, the book includes chapters on visual evidence; documentary ethics; why reality is not enough; budgeting; and casting, crew, and equipment selection.
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Book details

List price: $22.99
Copyright year: 1997
Publisher: Henry Holt & Company
Publication date: 1/15/1997
Binding: Paperback
Pages: 368
Size: 5.50" wide x 8.25" long x 0.75" tall
Weight: 0.792
Language: English

Janet Evanovich was born on April 22, 1943 in South River, New Jersey. She received a bachelor's degree in art from Douglas College, which is part of Rutgers University. She was working as a secretary for a temporary employment agency when she sold her first romance novel, Hero at Large, which was published in 1987 under the pseudonym Steffie Hall. She went on to write 12 romances in five years using her real name before beginning to write mysteries. Her first mystery novel, One for the Money, became the first book in the Stephanie Plum series. Her title in this series, Top Secret Twenty-One, made The New York Times Best Seller List in 2014. She is also the author of the Alex Barnaby…    

It Looks So Easy
How Things Got This Way
Reality Is Not Enough
Recording Human Behavior
Visual Evidence
Verisimilitude in Documentary
Ethics in Making a Documentary
Steps in Producing a Documentary
The Documentary Idea
Writing a Documentary
Scouting
The Documentary Crew
Equipment
Scheduling
How Much Will It Cost?
Recording Picture and Sound
Working on Location
Building an Invisible Wall
Directing People Who Are Not Actors
When You Must Work with Actors
The Documentary Interview
Some Other Production Considerations
Preparation for Post
Editing the Documentary
Finishing the Production
Appendix
Filmography
Bibliography
Index