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Slam School Learning Through Conflict in the Hip-Hop and Spoken Word Classroom

ISBN-10: 0804763666
ISBN-13: 9780804763660
Edition: 2011
Authors: Bronwen E. Low
List price: $21.95
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Description: Mainstream rap's seductive blend of sexuality, violence, and bravado hardly seems the stuff of school curricula. And chances are good that the progressive and revolutionary "underground" hip-hop of artists such as The Roots or Mos Def is not on the  More...

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Book details

List price: $21.95
Copyright year: 2011
Publisher: Stanford University Press
Publication date: 3/22/2011
Binding: Paperback
Pages: 208
Size: 5.75" wide x 8.75" long x 0.75" tall
Weight: 0.682
Language: English

Mainstream rap's seductive blend of sexuality, violence, and bravado hardly seems the stuff of school curricula. And chances are good that the progressive and revolutionary "underground" hip-hop of artists such as The Roots or Mos Def is not on the playlists of most high-school students. That said, hip-hop culture remains a profound influence on contemporary urban youth culture and a growing number of teachers are developing strategies for integrating it into their classrooms. While most of these are hip-hop generation members who cannot imagine leaving the culture at the door, this book tells the story a white teacher who stepped outside his comfort zone into the rich and messy realm of student popular investments and abilities. Slam Schooltakes the reader into the heart of a poetry course in an urban high school to make the case for critical hip-hop pedagogies. Pairing rap music with its less controversial cousins, spoken word and slam poetry, this course honored and extended student interests. It also confronted the barriers of race, class, gender, and generation that can separate white teachers from classrooms of predominantly black and Latino students and students from each other. Bronwen Low builds a surprising argument: the very reasons teachers might resist the introduction of hip-hop into the planned curriculum are what make hip-hop so pedagogically vital. Class discussions on topics such as what one can and cannot say in the school auditorium or who can use the N-word raised pressing and difficult questions about language, culture and identity. As she reveals, an innovative, student-centered pedagogy based on spoken word curriculum that is willing to tolerate conflict, as well as ambivalence, has the potential to air tensions and lead to new insights and understandings for both teachers and students.

Preface
Toward a Critical Hip-Hop and Spoken Word Pedagogy
�Keepin' It Real�: The Discourse of Authenticity and the Challenge for Hip-Hop Pedagogies
The Tale of the Talent Night Rap: Black Popular Culture in Schools and the Challenge of Interpretation
�Making Sense Out of Worlds that Are Different�: Race and Hip-Hop Pedagogies
Niggaz, Bitches, and Hoes: Hip-Hop Nation Language as Limit-Case for Education
Pedagogic Futures for Hip-Hop and Spoken Word
Notes
Bibliography
Index

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