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| Contributors | |
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| Introducing the Concepts | |
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| In Media Res: Global Religion, Public Spheres, and the Task of Contemporary Comparative Religious Studies | |
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| Religion, Repetition, Media | |
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| "Above All, No Journalists!" | |
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| Theory on TV: "After-Thoughts" | |
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| The Deconstruction of Christianity | |
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| Reading a Modern Classic: W. C. Smith's The Meaning and End of Religion | |
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| Seeing and Believing: Historical and Philosophical Considerations | |
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| Mimesis and the Ban on Graven Images | |
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| In the Workshop of Equivalences: Translation, Institutions, and Media in the Jesuit Re-Formation of China | |
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| Images of Iron: Ignatius of Loyola and Joyce | |
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| Luther with McLuhan | |
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| Tele-vision: Between Blind Trust and Perceptual Faith | |
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| "The Catholicism of Cinema": Gilles Deleuze on Image and Belief | |
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| Mission Impossible: Postcards, Pictures, and Parasites | |
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| Local Rites, Global Media: Critical and Anthropological Approaches | |
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| Kiblat and the Mediatic Jew | |
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| The Cassowary Will (Not) Be Photographed: The "Primitive," the "Japanese," and the Elusive "Sacred" (Aru, Southeast Moluccas) | |
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| A Remaking of Hinduism?: or, Taking the Mickey Out of Valmiki | |
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| Mirror Image: Layered Narratives in Photographic and Televised Mediations of Ise's Shikinen Sengu | |
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| Reconciliation Without Justice | |
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| Channel-Surfing: Media, Mediumship, and State Authority in the Maria Lionza Possession Cult (Venezuela) | |
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| Production of Fundamentalism: On the Dynamics of Producing the Radically Different | |
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| Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Iranian Cinema | |
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| The Aboriginal Medium: Negotiating the Caesura of Exchange | |
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| Before the Law: Reading the Yuendumu Doors with Eric Michaels | |
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| Two Documents | |
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| The Religious Medium | |
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| Morality and the Secrets of Religion | |
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| Notes | |