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| List of Illustrations | |
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| Acknowledgments | |
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| Introduction | |
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| The Division of Knowledge | |
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| The Public and the Private | |
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| Domesticity | |
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| Form and Spatial Representability | |
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| Questions of Method | |
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| The Age of Separations | |
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| The Devolution of Absolutism | |
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| State and Civil Society | |
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| From Tacit to Explicit | |
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| Polis and Oikos | |
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| The State and the Family | |
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| Absolute Private Property | |
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| Interest and the Public Interest | |
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| Civic Humanism or Capitalist Ideology? | |
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| From the Marketplace to the Market | |
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| The Protestant Separation | |
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| Conscientious Privacy and the Closet of Devotion | |
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| What Is the Public Sphere? | |
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| Publishing the Private | |
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| The Plasticity of Print | |
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| Scribal Publication | |
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| Print, Property, and the Public Interest | |
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| Print Legislation and Copyright | |
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| Knowledge and Secrecy | |
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| Public Opinion | |
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| What Was the Public Sphere? | |
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| Publicness through Virtuality | |
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| Publication and Personality | |
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| Anonymity and Responsibility | |
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| Libel versus Satire | |
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| Characters, Authors, Readers | |
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| Particulars and Generals | |
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| Actual and Concrete Particularity | |
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| From State as Family to Family as State | |
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| State as Family | |
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| Family as State | |
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| Coming Together | |
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| Being Together | |
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| Putting Asunder | |
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| Tory Feminism and the Devolution of Absolutism | |
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| Privacy and Pastoral | |
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| Outside and Inside Work | |
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| The Domestic Economy and Cottage Industry | |
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| The Economic Basis of Separate Spheres | |
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| Housewife as Governor | |
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| The Whore's Labor | |
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| The Whores Rhetorick | |
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| Subdividing Inside Spaces | |
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| Separating Out "Science" | |
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| The Royal Household | |
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| Cabinet and Closet | |
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| Secrets and the Secretary | |
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| Noble and Gentle Households | |
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| The Curtain Lecture | |
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| Households of the Middling Sort | |
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| Where the Poor Should Live | |
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| Sex and Book Sex | |
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| Sex | |
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| Aristotle's Master-piece | |
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| Onania | |
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| Book Sex | |
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| Protopornography: Sex and Religion | |
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| Protopornography: Sex and Politics | |
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| The Law of Obscene Libel | |
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| Domestication as Form | |
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| Motives for Domestication | |
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| The Productivity of the Division of Knowledge | |
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| Domestication as Hermeneutics | |
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| Domestication as Pedagogy | |
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| Disembedding Epistemology from Social Status | |
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| Scientific Disinterestedness | |
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| Civic Disinterestedness | |
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| Aesthetic Disinterestedness | |
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| Mixed Genres | |
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| Tragicomedy | |
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| Romance | |
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| Mock Epic | |
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| Pastoral | |
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| Christ in the House of Martha and Mary | |
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| Figures of Domestication | |
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| Narrative Concentration | |
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| Narrative Concretization | |
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| Secret Histories | |
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| The Narration of Public Crisis | |
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| What Is a Secret History? | |
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| Sidney and Barclay | |
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| Opening the King's Cabinet | |
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| Opening the Queen's Closet | |
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| Scudery | |
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| Women and Romance | |
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| The King Out of Power | |
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| The King In Power | |
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| The Secret of the Black Box | |
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| The Secret of The Holy War | |
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| Behn's Love-Letters | |
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| Love versus War? | |
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| Love versus Friendship | |
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| Fathers versus Children | |
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| Effeminacy and the Public Wife | |
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| Gender without Sex | |
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| From Epistolary to Third Person | |
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| From Female Duplicity to Female Interiority | |
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| Love-Letters and Pornography | |
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| Toward the Narration of Private Life | |
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| The Secret of the Warming Pan | |
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| The Private Lives of William, Mary, and Anne | |
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| The Privatization of the Secret History | |
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| The Strange Case of Beau Wilson | |
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| Secret History as Autobiography | |
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| Preface on Congreve | |
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| Manley's New Atalantis | |
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| Manley's Rivella | |
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| Postscript on Pope | |
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| Secret History as Novel | |
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| Defoe and Swift | |
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| Jane Barker and Mary Hearne | |
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| Haywood's Secret Histories | |
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| Richardson's Pamela | |
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| Variations on the Domestic Novel | |
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| Fanny Hill | |
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| Tristram Shandy | |
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| Humphry Clinker | |
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| Pride and Prejudice | |
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| Notes | |
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| Index | |