Filmmaking by the Book Italian Cinema and Literary Adaptation

ISBN-10: 080184455X
ISBN-13: 9780801844553
Edition: 1992
Authors: Millicent Marcus
List price: $26.00 Buy it from $3.00
30 day, 100% satisfaction guarantee

If an item you ordered from TextbookRush does not meet your expectations due to an error on our part, simply fill out a return request and then return it by mail within 30 days of ordering it for a full refund of item cost.

Learn more about our returns policy

Description: What is the impulse to transform literary narrative into cinematic discourse, and what are the factors that determine that transformation? In Filmmaking by the Book, Millicent Marcus considers the adaptive process as the sum total of a series of  More...

Used Starting from $18.95
New Starting from $26.53
what's this?
Rush Rewards U
Members Receive:
coins
coins
You have reached 400 XP and carrot coins. That is the daily max!

Study Briefs

Limited time offer: Get the first one free! (?)

All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.

Add to cart
Study Briefs
Periodic Table Online content $4.95 $1.99
Add to cart
Study Briefs
History of Western Art Online content $4.95 $1.99

Customers also bought

Loading
Loading
Loading
Loading
Loading
Loading
Loading
Loading
Loading
Loading

Book details

List price: $26.00
Copyright year: 1992
Publisher: Johns Hopkins University Press
Publication date: 12/1/1992
Binding: Paperback
Pages: 328
Size: 6.00" wide x 9.00" long x 1.00" tall
Weight: 1.144
Language: English

What is the impulse to transform literary narrative into cinematic discourse, and what are the factors that determine that transformation? In Filmmaking by the Book, Millicent Marcus considers the adaptive process as the sum total of a series of encounters: the institutional encounter between literary and film cultures, the semiotic encounter between two very different signifying systems, and the personal encounter between author and filmmaker -- sometimes involving an overt Oedipal struggle for selfhood. Marcus explores that process by looking at key works by such major postwar Italian filmmakers as Visconti, De Sica, Pasolini, Fellini, and the Taviani brothers. Drawing on the methodologies of semiotics, psychoanalysis, feminism, and ideological criticism, she finds that cinematic imaginations typically employ literary texts self-consciously to resolve specific artistic problems. Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilical" scenes or "allegories of adaptation" to teach viewers how to read their cinematic rewriting of literary sources.

Preface
Acknowledgments
Introduction: Literature and Film: Negotiating the Terms
Visconti's La terra trema: The Typology of Adaptation
Visconti's Leopard: The Politics of Adaptation
De Sica's Two Women: Realigning the Gaze
De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost
Pasolini's Gospel According to St. Matthew: The Gaze of Faith
Pasolini's Decameron: Writing with Bodies
The Tavianis' Padre padrone: The Critical Acquisition of Codes
The Tavianis' Kaos: The Poetics of Adaptation
Fellini's Casanova: Adaptation by Self-projection
Fellini's La voce della luna: Resisting Postmodernism
Appendix: Film Synopses and Credits
Notes
Index

×
Free shipping on orders over $35*

*A minimum purchase of $35 is required. Shipping is provided via FedEx SmartPost® and FedEx Express Saver®. Average delivery time is 1 – 5 business days, but is not guaranteed in that timeframe. Also allow 1 - 2 days for processing. Free shipping is eligible only in the continental United States and excludes Hawaii, Alaska and Puerto Rico. FedEx service marks used by permission."Marketplace" orders are not eligible for free or discounted shipping.

Learn more about the TextbookRush Marketplace.

×