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| Introduction to Theoretical Approaches to Literature | |
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| The New Criticism | |
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| Psychoanalytic Literary Criticism | |
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| Reader-Response Literary Criticism | |
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| Deconstructive Literary Criticism | |
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| Marxist Literary Criticism | |
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| Feminist Literary Criticism | |
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| Bakhtinian Literary Criticism | |
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| Foucauldian Literary Criticism | |
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| New Historicist Literary Criticism | |
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| Multicultural Literary Criticism | |
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| Introduction to the Application of Literary Theory | |
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| Approaches to The Tempest | |
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| Approaches to Heart of Darkness | |
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| Approaches to Devil on the Cross | |
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| Approaches to The Handmaid's Tale | |
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| Approaches to Beloved | |
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| Introduction to Criticism in Practice | |
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| Essays on Shakespeare'sThe Tempest | |
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| Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century | |
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| Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest | |
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| Essays on Conrad'sHeart of Darkness | |
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| Heart of Darkness: Geography as Apocalypse | |
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| `Rebarbarizing Civilization': Conrad's African Fiction and Spencerian Sociology | |
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| Essays on Ngugi'sDevil on the Cross | |
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| The Strength of the Rhetoric of Oral Tradition in Ngugi wa Thiong'o's Devil on the Cross | |
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| Language, Oral Tradition, and Social Vision in Ngugi's Devil on the Cross | |
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| Essays on Atwood'sThe Handmaid's Tale | |
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| The World as It Will Be? | |
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| Female Satire and the Technology of Power in The Handmaid's Tale | |
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| Margaret Atwood's The Handmaid's Tale and the Dystopian Tradition | |
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| Essays on Morrison'sBeloved | |
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| Giving Body to the Word: The Maternal Symbolic in Toni Morrison's Beloved | |
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| Daughters Signifyin(g) History: The Example of Toni Morrison's Beloved | |
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| Glossary | |
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| Index | |