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| Historical Criticism I: Author as Context Theory | |
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| Objective Interpretation | |
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| Are Poems Historical Acts? | |
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| Applications | |
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| Shakespeare and the Idea of Obedience: Gonzalo in The Tempest | |
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| Toward Resolving Keats’s Grecian Urn Ode Sidney Kaplan | |
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| Herman Melville and the American National Sin: The Meaning of Benito Cereno | |
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| The Yellow Wall-Paper | |
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| Formal Criticism: Poem as Context THEORY Cleanth Brooks, Irony as a Principle of Structure | |
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| The Relevant Context of a Literary Text Applications | |
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| Reading The Tempest | |
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| On the Third Stanza of Keats’s "Ode on a Grecian Urn" | |
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| The Method of Melville’s Short Fiction: "Benito Cereno" | |
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| "Too Terribly Good To Be Printed": Charlotte Gilman’s "The Yellow Wallpaper" | |
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| Reader-Response Criticism: Audience as Context Theory | |
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| Readers and the Concept of the Implied Reader Norman Holland, The Miller’s Wife and the Professors APPLICATIONS Ole Martin Skilleas, Anachronistic | |
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| Themes and Literary Value: The Tempest | |
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| Reading the Urn: Death in Keats’s Arcadia Catharine O’Connell, Narrative Collusion and Occlusion in Melville’s "Benito Cereno" | |
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| A Map for Rereading: Or, Gender and the Interpretation of Literary Texts | |
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| Mimetic Criticism: Reality as Context Theory | |
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| The Uses of Psychology | |
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| Beyond the Net: Feminist Criticism as a Moral Criticism Applications Bernard Paris | |
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| The Tempest Eva T.H. Brann, Pictures in Poetry: Keats’s "Ode on a Grecian Urn" Allan Moore Emery | |
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| The Topicality of Depravity in "Benito Cereno" | |
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| "The Yellow Wallpaper" | |
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| Intertextual Criticism: Literature as Context Theory Northrop Frye | |
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| The Critical Path Jonathan Culler | |
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| Structuralism and Literature Applications Northrop Frye | |
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| Shakespeare’s The Tempest | |
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| "Silence and Slow Time": Pastoral Topoi in Keats’s "Ode" | |
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| Benito Cereno and the Politics of Narrative Structure | |
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| Convention Coverage or How to Read Your Own Life | |
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| Poststructural Criticism: Language as Context Theory Jacques Derrida, Structure, Sign, and Play in the Discourse of the Human Sciences | |
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| Semiology and Rhetoric Applications | |
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| Tempest Barbara Jones Guetti, Resisting the Aesthetic | |
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| The New Psychoanalysis and Literary Criticism | |
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| Reader, Text, and Ambiguous Referentiality in "The Yellow WallPaper" | |
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| Historical Criticism II: Culture as Context | |
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| Theory | |
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| Terry Eagleton, Literature and History Catherine Belsey, Literature, History, Politics Stephen Greenblatt, Culture | |
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| Applications | |
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| Francis Barker and Peter Hulme, Nymphs and Reapers | |
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| Heavily Vanish: the Discursive Con-texts of The Tempest | |
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| Bodily Harm: Keats’s Figures in the "Ode on a Grecian Urn" Brook Thomas | |
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| The Legal Fictions of Herman Melville and Lemuel Shaw Julie Bates Dock | |
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| "But One Expects That": Charlotte Perkins Gilman’s "The Yellow Wallpaper" and the Shifting Light of Scholarship | |
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| VIII | |