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Cultural Beginnings | |
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The Tale of Igor | |
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Anonymous, "Boris and Gleb" | |
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"The Life of Alexis, Holy Man of God" | |
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The Emerging Self | |
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Avvakum. The Life of Avvakum | |
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The Search for Identity | |
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Gavrila Derzhavin, "Felicity" | |
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"The Firebird and Princess Vasilisa" | |
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Nikolai Karamzin, "Poor Liza" ÿet;20 | |
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Alexander Pushkin, "The Bronze Horseman" | |
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Mikhail Lermontov, "Borodino" | |
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Mikhail Lermonotov, "Taman" | |
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Subversions of Secularization | |
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Alexander Pushkin, Boris Godunov | |
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Alexander Pushkin, "The Queen of Spades" | |
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Nikolai Gogol, "The Overcoat" | |
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Ivan Turgenev, "Bezhin Meadow" | |
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Fedor Dostoevsky, "The Meek One" | |
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Nikolai Leskov, "Lefty" | |
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Leo Tolstoy, "Holstomer" | |
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New Aesthetic Languages | |
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Anton Chekhov, "The Lady with the Lapdog" | |
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Anton Chekhov, The Cherry Orchard, Act One | |
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Alexander Blok, "The Puppet Show" | |
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Anna Akhmatova, "The Gray-Eyed King" | |
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Vladimir Mayakovsky, "Listen!" | |
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Marina Tsvetaeva, "I ask the mirror for a glimpse..." | |
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Marina Tsvetaeva, "Verses about Moscow" | |
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Valery Briusov, "Barely a Tenth" | |
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Andrei Bely, from Petersburg: "The Escape" | |
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Thresholds: Soviet Culture and Beyond | |
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Isaak Babel, "The King" | |
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Sergei Esenin, "Farewell, my friend, farewell" | |
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Ilf and Petrov, from Twelve Chairs: "The Sword and the Plow" | |
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Mikhail Sholokhov, Virgin Soil Upturned, Ch. 7, Bk. 1 | |
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Mikhail Zoshchenko, "Crime and Punishment" | |
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Osip Mandelstam, "We live without feeling..." | |
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Anna Akhmatova, "The Last Toast" | |
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Daniil Kharms, "Makarov and Peterson" | |
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Chapayev Anecdotes | |
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Mikhail Bulgakov, from The Master and Margarita: "Black Magic and Its Exposure" | |
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Boris Pasternak, "Hamlet" | |
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Vladimir Vysotsky, "Morning Exercise" | |
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Fedor Abramov, "Wooden Horses" | |