Representation Cultural Representations and Signifying Practices

ISBN-10: 0761954325

ISBN-13: 9780761954323

Edition: 1997

Authors: Stuart Hall

List price: $65.00
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Description:

This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.
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Book details

List price: $65.00
Copyright year: 1997
Publisher: SAGE Publications, Limited
Publication date: 4/8/1997
Binding: Paperback
Pages: 408
Size: 7.75" wide x 9.75" long x 1.00" tall
Weight: 2.244

Stuart Hall was born and raised in Jamaica and arrived in Britain on a Rhodes scholarship to Oxford in 1950. In 1958, he left his PhD on Henry James to found the New Left Review, which did much to open a debate about immigration and the politics of identity. Along with Raymond Williams and Richard Hoggart he established the first Cultural Studies programme at a British university in Birmingham in 1964, bringing the study of popular culture into the understanding of political and social change. After spending more than four decades as one of the UK's leading public intellectuals, Hall retired from formal academic life in 1997 and since then has continued to devote himself to questions of representation, creativity and difference. He became the chair of two foundations, Iniva, the Institute of International Visual Arts, and Autograph ABP, which seeks to promote photographers from culturally diverse backgrounds, and championed the opening of Iniva's new Rivington Place arts complex in east London in 2007.

The Work of Representation
Representing the Social
France and Frenchness in Post-War Humanist Photography
The Poetics and Politics of Exhibiting Other Cultures
The Spectacle of the 'Other'
Exhibiting Masculinity
Genre and Gender
The Case of Soap Opera
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