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List of Illustrations | |
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Acknowledgements | |
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Introduction | |
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Theories and Forms: Documentary as Genre | |
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The Voice of Documentary | |
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The Image Mirrored: Reflexivity and the Documentary Film | |
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Television, Documentary and the Category of the Aesthetic | |
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Mirrors Without Memories: Truth, History, and the New Documentary | |
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The Inside View: Producers and Directors | |
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The Canadian Film Board Unit B | |
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'History is the Theme of All My Films': An Interview with Emile de Antonio | |
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The War Game: An Interview with Peter Watkins | |
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New Agendas in Black Filmmaking: An Interview with Marlon Riggs | |
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Jumping Off the Cliff: A Conversation with Dennis O'Rourke | |
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The Politics of Documentary: A Symposium | |
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Staying Alive | |
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Issues of Ethics and Aesthetics | |
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Ethics | |
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Ultimately We Are All Outsiders: The Ethics of Documentary Filming | |
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The Ethics of Image Making; or, "They're Going to Put Me in the Movies. They're Going to Make a Big Star Out of Me ..." | |
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Word Is Out and Gay U.S.A. | |
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Building a Mock-Documentary Schema | |
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Sounds Real: Music and Documentary | |
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Bowling for Columbine: A Review | |
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Changing Contexts in Television | |
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The McCarthy "See It Now" Broadcast | |
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An Independent with the Networks | |
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New Boy: An Independent with Israel TV | |
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Reflections on An American Family | |
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American High: Documentary as Episodic Television | |
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Documentary and Truth on Television: The Crisis of 1999 | |
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Versions of History | |
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History on the Public Screen, I | |
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History on the Public Screen, II | |
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Historical Analysis, Stage One: Content, Production, and Reception | |
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Narration, Invention, and History | |
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Against the Ivory Tower: An Apologia for "Popular" Historical Documentaries | |
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The Event: Archive and Imagination | |
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Docudrama: Border Disputes | |
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Dramadoc/Docudrama: The Law and Regulation | |
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US Docudrama and "Movie of the Week" | |
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Death of a Princess: The Politics of Passion, an Interview with Antony Thomas | |
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Dramatised Documentary | |
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Where Are We Going, and How and Why? | |
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Index | |