Twice upon a Time Women Writers and the History of the Fairy Tale

ISBN-10: 0691115672
ISBN-13: 9780691115672
Edition: 2001
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Description: Fairy tales, often said to be ''timeless'' and fundamentally ''oral,'' have a long written history. However, argues Elizabeth Wanning Harries in this provocative book, a vital part of this history has fallen by the wayside. The short, subtly  More...

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Book details

List price: $37.50
Copyright year: 2001
Publisher: Princeton University Press
Publication date: 9/22/2003
Binding: Paperback
Pages: 232
Size: 6.00" wide x 9.25" long x 0.75" tall
Weight: 0.748
Language: English

Fairy tales, often said to be ''timeless'' and fundamentally ''oral,'' have a long written history. However, argues Elizabeth Wanning Harries in this provocative book, a vital part of this history has fallen by the wayside. The short, subtly didactic fairy tales of Charles Perrault and the Grimms have determined our notions about what fairy tales should be like. Harries argues that alongside these ''compact'' tales there exists another, ''complex'' tradition: tales written in France by the conteuses (storytelling women) in the 1690s and the late-twentieth-century tales by women writers that derive in part from this centuries-old tradition. Grounded firmly in social history and set in lucid prose, Twice upon a Time refocuses the lens through which we look at fairy tales. The conteuses saw their tales as amusements for sophisticated adults in the salon, not for children. Self-referential, frequently parodic, and set in elaborate frames, their works often criticize the social expectations that determined the lives of women at the court of Louis XIV. After examining the evolution of the ''Anglo-American'' fairy tale and its place in this variegated history, Harries devotes the rest of her book to recent women writers--A. S. Byatt, Anne Sexton, Angela Carter, and Emma Donoghue among them--who have returned to fairy-tale motifs so as to challenge modern-day gender expectations. Late-twentieth-century tales, like the conteuses', force us to rethink our conception of fairy tales and of their history.

List of Illustrations
Acknowledgments
Introduction: Once, Not Long Ago
Fairy Tales about Fairy Tales: Notes on Canon Formation
Voices in Print: Oralities in the Fairy Tale
The Invention of the Fairy Tale in Britain
Interlude: Once Again
New Frames for Old Tales
The Art of Transliteration
Conclusion: Twice-Told Tales
Notes
Bibliography
Index

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