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| Particulars 1982 | |
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| The Tristan Myth | |
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| Behind the Vogue of the Novel | |
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| The Myth | |
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| Topicality of the Myth, or Reasons for its Analysis | |
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| What the Romance of Tristan Seems to be About | |
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| Some Riddles | |
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| Chivalry v. Marriage | |
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| The Love of the Romance | |
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| The Love of Love | |
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| The Love of Death | |
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| The Love-Potion | |
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| Unhappy Mutual Love | |
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| 'Old Tune So Full of Sadness' | |
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| The Religious Origins | |
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| The Natural and Sacred 'Obstruction' | |
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| Eros, or Boundless Desire | |
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| Agape, or Christian Love | |
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| East and West | |
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| Reaction to Christianity in European Manners | |
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| Courtly Love: Troubadours and Cathars | |
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| Heresy and Poetry | |
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| Objections | |
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| Arab Mystical Poetry | |
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| A General View of Courtliness | |
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| From Courtly Love to Arthurian Romance | |
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| From Celtic Myths to Arthurian Romance | |
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| From Arthurian Romance to Wagner, via Gottfried of Strasbourg | |
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| What Has Been Ascertained So Far | |
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| Passion and Mysticism | |
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| How the Problem Stands | |
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| 'Tristan' as the Account of a Mystical Experience | |
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| Curious but Inevitable Transpositions | |
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| Orthodox Mystics and the Language of Passion | |
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| Courtly Rhetoric in Spanish Mysticism | |
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| A Note on Metaphor | |
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| The Mystic Deliverance | |
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| The Twilight of Passionate Love | |
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| The Myth in Literature | |
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| Of the Influence of Literature on Conduct | |
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| The Two Roses | |
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| Sicily, Italy, Beatrice, and Symbols | |
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| Petrarch, the Converted Rhetor | |
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| The Inverted Ideal of 'Gauloiserie' | |
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| The Later History of Chivalry down to Cervantes | |
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| 'Romeo and Juliet', and then Milton | |
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| 'L'Astree', or From the Mystical to the Psychological | |
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| Corneille, or Giving Battle to the Myth | |
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| Racine, or the Myth Unloosed | |
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| 'Phedre', or 'Punishing' the Myth | |
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| Eclipse of the Myth | |
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| Don Juan and the Marquis de Sade | |
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| 'La Nouvelle Heloise' | |
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| German Romanticism | |
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| The Myth Withdraws Into the Human Breast | |
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| Stendhal, or The Fiasco of the Sublime | |
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| Wagner, or Completion | |
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| The Myth is Popularized | |
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| The Glorification of Instinct | |
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| The Spread of Passion into Every Sphere | |
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| Love and War | |
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| How They Are Similar | |
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| The Warlike Language of Love | |
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| Chivalry: a Rule of Love and War | |
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| Tournaments, or The Myth in Action | |
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| Cannon and Condottieri | |
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| Classic Warfare | |
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| Fighting in Lace Cuffs | |
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| Revolutionary War | |
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| National War | |
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| Total War | |
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| The Transplanting of Passion into Politics | |
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| The Myth v. Marriage | |
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| The Breakdown of Marriage | |
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| The Modern Notion of Happiness | |
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| 'It's Wonderful to be in Love!' | |
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| Marrying Iseult? | |
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| From Lawlessness to Eugenics | |
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| The Significance of the Breakdown | |
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| Active Love, or Keeping Faith | |
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| We Must Take Our Stand | |
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| A Critique of Marriage | |
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| Marriage as a Decision | |
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| On Keeping Troth | |
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| Eros Rescued by Agape | |
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| Paradoxes of the Western Attitude | |
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| Beyond Tragedy | |
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| Inconclusive and Scientifico-Polemical Postscript | |
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| Influence and Attacks | |
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| Ambiguity of Influences | |
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| Catharist Renaissance in the Twentieth Century | |
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| Retort to My Critics | |
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| A Mystical Troubadour: Henry Suso | |
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| Troubadours and Cathars | |
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| Tantrism and Courtesy | |
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| On the Invention of Love in the Twelfth Century | |
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| Final Imprecation | |
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| Misunderstanding on Morals | |
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| Passion and Incest | |
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| Passion and Allergy | |
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| Passion and Drugs | |
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| Passion and Marriage | |
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| Index | |