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Landscapes of Loss The National Past in Postwar French Cinema

ISBN-10: 0691004757
ISBN-13: 9780691004754
Edition: 1999
Authors: Naomi Greene
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Description: InLandscapes of Loss,Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and  More...

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Book details

List price: $46.00
Copyright year: 1999
Publisher: Princeton University Press
Publication date: 4/18/1999
Binding: Paperback
Pages: 240
Size: 6.25" wide x 9.25" long x 0.75" tall
Weight: 0.792
Language: English

InLandscapes of Loss,Naomi Greene makes new sense of the rich variety of postwar French films by exploring the obsession with the national past that has characterized French cinema since the late 1960s. Observing that the sense of grandeur and destiny that once shaped French identity has eroded under the weight of recent history, Greene examines the ways in which French cinema has represented traumatic and defining moments of the nation's past: the political battles of the 1930s, the Vichy era, decolonization, the collapse of ideologies. Drawing upon a broad spectrum of films and directors, she shows how postwar films have reflected contemporary concerns even as they have created images and myths that have helped determine the contours of French memory. This study of the intricate links between French history, memory, and cinema begins by examining the long shadow cast by the Vichy past: the repressed memories and smothered unease that characterize the cinema of Alain Resnais are seen as a kind of prelude to a fierce battle for national memory that marked so-calledreacute;trofilms of the 1970s and 1980s. The shifting political and historical perspectives toward the nation's more distant past, which also emerged in these years, are explored in the light of the films of one of France's leading directors, Bertrand Tavernier. Finally, the mood of nostalgia and melancholy that appears to haunt contemporary France is analyzed in the context of films about the nation's imperial past as well as those that hark back to a "golden age," a rememberedparadis perdu, of French cinema itself.

Acknowledgments
Introduction
Alain Resnais: The Ghosts of History
Battles for Memory: Vichy Revisited
Bertrand Tavernier: History in the Present Tense
Memory and Its Losses: Troubled Dreams of Empire
A la recherche du temps perdu: The Specter of Populism
Epilogue
Notes
Index

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