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| Preface | |
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| from Riprap and Cold Mountain Poems | |
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| Riprap | |
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| Mid-August at Sourdough Mountain Lookout | |
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| The Late Snow and Lumber Strike of the Summer of Fifty-four | |
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| Piute Creek | |
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| Milton by Firelight | |
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| Above Pate Valley | |
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| Water | |
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| Hay for the Horses | |
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| Thin Ice | |
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| Nooksack Valley | |
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| All through the Rains | |
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| Migration of Birds | |
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| Toji | |
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| Kyoto: March | |
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| The Sappa Creek | |
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| Goofing Again | |
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| Cartagena | |
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| Riprap | |
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| Cold Mountain Poems | |
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| "The path to Han-shan's place is laughable," | |
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| "In a tangle of cliffs I chose a place - " | |
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| "In the mountains it's cold." | |
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| "Men ask the way to Cold Mountain" | |
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| "I settled at Cold Mountain long ago," | |
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| "Clambering up the Cold Mountain path," | |
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| "I have lived at Cold Mountain" | |
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| "Spring-water in the green creek is clear" | |
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| "In my first thirty years of life" | |
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| "I can't stand these bird-songs" | |
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| "There's a naked bug at Cold Mountain" | |
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| "Cold Mountain is a house" | |
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| "Once at Cold Mountain, troubles cease - " | |
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| "Some critic tried to put me down - " | |
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| "I've lived at Cold Mountain - how many autumns." | |
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| "My home was at Cold Mountain from the start," | |
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| "When men see Han-shan" | |
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| from Myths and Texts | |
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| Logging | |
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| "The morning star is not a star" | |
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| "But ye shall destroy their altars," | |
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| "'Lodgepole Pine: the wonderful reproductive" | |
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| "Pines, under pines," | |
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| "Felix Baran" | |
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| "Ray Wells, a big Nisqually, and I" | |
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| "Each dawn is clear" | |
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| "A green limb hangs in the crotch" | |
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| "The groves are down" | |
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| "Lodgepole" | |
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| Hunting | |
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| first shaman song | |
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| this poem is for birds | |
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| this poem is for bear | |
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| this poem is for deer | |
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| "Sealion, salmon, offshore - " | |
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| "Flung from demonic wombs" | |
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| "Now I'll also tell what food" | |
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| "How rare to be born a human being!" | |
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| Burning | |
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| second shaman song | |
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| Maudgalyayana saw hell | |
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| Maitreya the future Buddha | |
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| "Face in the crook of her neck" | |
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| John Muir on Mt. Ritter | |
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| Amitabha's vow | |
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| "Spikes of new smell driven up nostrils" | |
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| "Stone-flake and salmon." | |
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| "'Wash me on home, mama'" | |
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| the text | |
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| from Mountains and Rivers Without End | |
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| Bubbs Creek Haircut | |
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| The Blue Sky | |
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| from The Back Country | |
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| Far West | |
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| A Berry Feast | |
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| Marin-an | |
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| Sixth-Month Song in the Foothills | |
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| The Spring | |
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| A Walk | |
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| Fire in the Hole | |
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| Burning the Small Dead | |
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| Foxtail Pine | |
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| August on Sourdough, A Visit from Dick Brewer | |
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| Oil | |
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| Once Only | |
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| After Work | |
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| For the Boy Who Was Dodger Point Lookout Fifteen Years Ago | |
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| Far East | |
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| Yase: September | |
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| Pine River | |
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| Vapor Trails | |
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| The Public Bath | |
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| A Volcano in Kyushu | |
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| Four Poems for Robin | |
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| The Firing | |
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| Work to Do Toward Town | |
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| Nansen | |
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| Six Years | |
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| Kali | |
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| For a Stone Girl at Sanchi | |
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| North Beach Alba | |
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| Could She See the Whole Real World With her Ghost Breast Eyes Shut Under a Blouse Lid? | |
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| Night | |
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| This Tokyo | |
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| The Manichaeans | |
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| Mother of the Buddhas, Queen of Heaven, Mother of the Sun; Marici, Goddess of the Dawn | |
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| On Our Way to Khajuraho | |
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| Circumambulating Arunachala | |
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| 7: VII | |
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| Nanao Knows | |
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| The Truth like the Belly of a Woman Turning | |
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| For John Chappell | |
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| Go Round | |
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| Back | |
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| The Old Dutch Woman | |
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| For the West | |
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| 7. IV. 64 | |
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| Twelve Hours Out of New York After Twenty-Five Days at Sea | |
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| Across Lamarck Col | |
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| Hop, Skip, and Jump | |
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| Beneath My Hand and Eye the Distant Hills, Your Body | |
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| Through the Smoke Hole | |
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| from Regarding Wave | |
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| Wave | |
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| In the House of the Rising Sun | |
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| Song of the Tangle | |
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| Song of the Slip | |
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| Song of the Taste | |
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| Kyoto Born in Spring Song | |
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| Burning Island | |
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| Roots | |
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| Rainbow Body | |
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| Everybody Lying on Their Stomachs, Head Toward the Candle, Reading, Sleeping, Drawing | |
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| Shark Meat | |
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| The Bed in the Sky | |
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| Kai, Today | |
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| Not Leaving the House | |
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| Regarding Wave | |
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| Revolution in the Revolution in the Revolution | |
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| What You Should Know to Be a Poet | |
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| Aged Tamba Temple Plum Tree Song | |
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| It | |
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| Running Water Music | |
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| Sours of the Hills | |
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| The Wild Edge | |
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| The Trade | |
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| To Fire | |
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| Love | |
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| Meeting the Mountains | |
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| Running Water Music II | |
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| Long Hair | |
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| Target Practice | |
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| from Turtle Island | |
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| Manzanita | |
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| Anasazi | |
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| The Way West, Underground | |
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| The Dead by the Side of the Road | |
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| I Went into the Maverick Bar | |
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| No Matter, Never Mind | |
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| The Bath | |
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| Spel Against Demons | |
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| Front Lines | |
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| Control Burn | |
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| The Call of the Wild | |
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| Prayer for the Great Family | |
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| Manzanita | |
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| Magpie's Song | |
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| The Real Work | |
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| Pine Tree Tops | |
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| For Nothing | |
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| Night Herons | |
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| The Egg | |
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| By Frazier Creek Falls | |
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| It Pleases | |
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| Mother Earth: Her Whales | |
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| Ethnobotany | |
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| Straight-Creek - Great Burn | |
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| Two Fawns That Didn't See the Light This Spring | |
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| Two Immortals | |
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| Why Log Truck Drivers Rise Earlier Than Students of Zen | |
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| "One Should Not Talk to a Skilled Hunter About What Is Forbidden by the Buddha" | |
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| L M F B R | |
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| Magpie's Song | |
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| For the Children | |
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| Gen | |
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| Tomorrow's Song | |
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| What Happened Here Before | |
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| Toward Climax | |
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| Two Logging Songs | |
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| For the Children | |
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| As for Poets | |
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| from Axe Handles | |
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| Loops | |
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| Axe Handles | |
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| River in the Valley | |
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| Berry Territory | |
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| The Cool Around the Fire | |
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| Changing Diapers | |
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| Painting the North San Juan School | |
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| Fence Posts | |
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| Look Back | |
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| Soy Sauce | |
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| Strategic Air Command | |
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| Working on the '58 Willys Pickup | |
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| Getting in the Wood | |
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| True Night | |
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| Little Songs for Gaia | |
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| Nets | |
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| Three Deer One Coyote Running in the Snow | |
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| 24:IV:40075, 3:30 PM, n. of Coaldale, Nevada, A Glimpse through a Break in the Storm of the Summit of the White Mountains | |
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| Talking Late with the Governor about the Budget | |
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| "He Shot Arrows, But Not at Birds Perching" | |
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| What Have I Learned | |
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| Dillingham, Alaska, the Willow Tree Bar | |
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| Removing the Plate of the Pump on the Hydraulic System of the Backhoe | |
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| Uluru Wild Fig Song | |
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| Old Rotting Tree Trunk Down | |
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| Old Woman Nature | |
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| The Canyon Wren | |
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| For All | |
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| from Left Out in the Rain | |
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| Elk Trails | |
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| Lines on a Carp | |
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| A Sinecure for P. Whalen | |
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| Message from Outside | |
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| Under the Skin of It | |
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| "dogs, sheep, cows, goats" | |
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| Seaman's Ditty | |
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| Poem Left in Sourdough Mountain Lookout | |
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| Late October Camping in the Sawtooths | |
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| Point Reyes | |
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| Makings | |
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| Longitude 170[actual symbols not reproducible] West, Latitude 35[actual symbols not reproducible] North | |
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| For Example | |
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| Bomb Test | |
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| Dullness in February: Japan | |
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| The Feathered Robe | |
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| On Vulture Peak | |
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| Straits of Malacca 24 Oct 1957 | |
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| The Engine Room, S.S. Sappa Creek | |
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| The North Coast | |
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| One Year | |
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| Three Poems for Joanne | |
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| Crash | |
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| Saying Farewell at the Monastery after Hearing the Old Master Lecture on "Return to the Source" | |
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| Alabaster | |
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| The Years | |
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| No Shoes No Shirt No Service | |
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| High Quality Information | |
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| The Arts Council Meets in Eureka | |
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| Arktos | |
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| Fear Not | |
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| We Make Our Vows Together with All Beings | |
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| At White River Roadhouse in the Yukon | |
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| The Persimmons | |
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| Tiny Energies | |
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| No Nature | |
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| How Poetry Comes to Me | |
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| On Climbing the Sierra Matterhorn Again After Thirty-one Years | |
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| Kusiwoqqobi | |
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| The Sweat | |
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| Building | |
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| Surrounded by Wild Turkeys | |
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| Off the Trail | |
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| Word Basket Woman | |
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| At Tower Peak | |
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| Right in the Trail | |
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| Travelling to the Capital | |
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| Thoughts on Looking at a Samuel Palmer Etching at the Tate | |
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| Kisiabaton | |
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| For Lew Welch in a Snowfall | |
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| Ripples on the Surface | |
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| Index of Titles and First Lines | |