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Series Editor's Preface | |
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Preface | |
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Acknowledgments | |
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Introduction: Why Movies Matter | |
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Going to the Movies: Early Audiences | |
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Introduction to the Article.Article: From The Making of American Audiences: From Stage to Television, 1750-1990 | |
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Documents:.Introduction to the Documents | |
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"The Nickel Madness" | |
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Report of Censorship of Motion Pictures and of Investigation of Motion Picture Theatres of Cleveland (1913) | |
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"House Fly Panics Pittsburgh Movie Audience" | |
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Readings and Screenings | |
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Heroes and Heroines of Their Own Entertainment: Progressive-Era Cinema | |
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Introduction to the Article | |
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Article: From The Loud Silents: Origins of the Social Problem Film | |
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Documents:.Introduction to the Documents | |
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"The Social Uses of the Moving Picture" | |
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Los Angeles Socialist Movie Theater | |
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Readings and Screenings | |
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The Rise of Hollywood: Movies, Ideology, and Audiences in the Roaring Twenties:.Introduction to the Article | |
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Article: From Working-Class Hollywood: Silent Film and the Shaping of Class in America | |
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Documents:.Introduction to the Documents | |
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"The Deluxe Picture Palace" | |
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"Petting At the Movies" | |
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"The Actor's Part" | |
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Readings and Screenings | |
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Who Controls What We See?: Censorship and the Attack on Hollywood "Immorality" | |
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Introduction to the Article | |
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Article: Hollywood Censored: The Production Code Administration and the Hollywood Film Industry, 1930-1940 | |
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Documents:.Introduction to the Documents | |
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The Power of the Movies and Debates Over Censorship | |
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Readings and Screenings | |
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Confronting the Great Depression: Renewing Democracy in Hard Times | |
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Introduction to the Article.Article: From The Big Tomorrow: Hollywood and the Politics of the American Way | |
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Documents:.Introduction to the Documents | |
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"The Movies and Political Propaganda": Upton Sinclair | |
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Readings and Screenings | |
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Alternative Cinemas: Movies on the Margins.Introduction to the Article | |
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Article: From Hollywood's High Noon: Moviemaking and Society Before Television | |
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Documents:.Introduction to the Documents | |
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"The Negro and the Photo-Play" | |
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"'The Symbol of the Unconquered, New Play" | |
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"Some New American Documentaries: In Defense of Liberty | |
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Readings and Screenings | |
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Seeing Red: Cold War Hollywood | |
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Introduction to the Article.Article: From American Cinema/American Culture | |
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Documents:.Introduction to the Documents | |
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FBI Report, "Communist Political Influence and Activities in the Motion Picture Business in Hollywood, California." | |
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"The Waldorf Statement," issued by the Association of Motion Picture Producers | |
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Readings and Screenings | |
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Eisenhower's America: Prosperity and Problems in the 1950s | |
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Introduction to the Article.Article: From American Film and Society Since 1945 | |
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Documents:.Introduction to the Documents | |
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Teen Idol: Hedda Hopper Interviews | |
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Reviews of Rebel Without a Cause | |
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Readings and Screenings | |
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Black and White in Color: Race and Film in the 1960s and 1970s | |
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Introduction to the Article | |
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Article: From Framing Blackness: The African American Image in Film | |
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Documents:.Introduction to the Documents | |
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Variety Reports Reactions to Guess Who's Coming to Dinner? | |
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"Blaxploitation Movies: Cheap Thrills That Degrade Blacks" | |
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Readings and Screenings | |
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Vietnam and the Crisis of American Power: Movies, War, and Militarism | |