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| Alphabetical List of Authors in Section II | |
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| Acknowledgements | |
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| Introduction | |
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| Principle Poets | |
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| Lydia Huntley Sigourney (1791-1865) | |
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| Poems (1827):The Alpine Flowers, The Suttee, Death of an Infant | |
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| Cherokee Phoenix (1831): The Cherokee Mother | |
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| Poems (1834): Flora's Party, Indian Names | |
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| Family Magazine (1834): The Western Emigrant | |
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| Zinzendorff, and Other Poems (1836): The Indian's Welcome to the Pilgrim Fathers | |
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| Select Poems (1842): The Volunteer | |
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| Christian Parlor Magazine (1844): A Scene at Sea | |
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| Mother's Assistant and Young Lady's Friend (1849): Morning | |
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| The Western Home, and Other Poems (1854): Fallen Forests (Scenes in My Native Land 1845), Bell of the Wreck | |
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| Maria Gowen Brooks (1794?-1845) | |
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| Zoacute;phieuml;, or the Bride of Seven (1833) | |
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| Canto First: "Grove of Acacias," Sections L-XCVII | |
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| Elizabeth Oakes Smith (1806) | |
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| Southern Literary Messenger (1842) | |
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| The Sinless Child: A Poem in Seven Parts: Part VI, Part VII | |
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| The Poetical Writings of Elizabeth Oakes Smith (1845): The Drowned Mariner | |
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| Frances Anne Butler Kemble (1809-1893) | |
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| Poems (1844): Sonnet: "There's not a fibre in my trembling frame" | |
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| Poems (1859): Lines: On Reading with Difficulty Some of Schiller's Early Love Poems, Noonday: By the Seaside, Sonnet: "What is my lady like? thou fain would'st know -", A Noonday Vision | |
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| Sarah Margaret Fuller (1810-1850) | |
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| Manuscript Poem (1836; Steele, 1992): To A. H. B | |
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| Manuscript Poem (1835; Steele, 1992): To the same {A. H. B.}: A Feverish Vision | |
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| From Summer on the Lakes, in 1843 (1844): "Summer days of busy leisure", To Friend, Governor Everett Receiving the Indian Chiefs | |
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| Manuscript Poem (1844; Steele, 1992): Double Triangle, Serpent and Rays | |
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| Griswold (1849): Mozart | |
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| Frances Sargent Locke Osgood (1811-1850) | |
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| Three Manuscript Poems (c. 1845? Dobson, 1993): "won't you die and be a spirit", The Wrath of the Rose, The Lady's Mistake | |
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| Poems (1846): The Lily's Delusion, The Daisy's Mistake, A Flight of Fancy, To Sybil, A Mother's Prayer in Illness | |
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| North America Daily (1848): Fanny Fay's Baby Jumper | |
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| Poems (1850): Women: A Fragment | |
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| Sarah Louisa Forten ("ADA") (1814-1883) | |
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| Liberator (1831): The Grave of the Slave, Past Joys, Prayer, The Slave | |
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| Liberator (1834): My Country, An Appeal to Women | |
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| Manuscript Poem (1837): "Look! 'Tis a woman's streaming eye" | |
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| Julia Ward Howe (1819-1910) | |
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| Griswold (1849): Woman | |
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| Passion Flowers (1854): My Last Dance | |
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| Atlantic Monthly (1862): Battle-Hymn of the Republic (MS 1861) | |
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| Later Lyrics (1866): The Soul-Hunter, Night Musings, Rouge Gagne, Remembrance | |
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| Alice Cary (1820-1871) | |
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| Griswold (1849): Pictures of Memory | |
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| Beadle's Monthly (1866): Summer and Winter | |
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| The Poetical Works of Alice and Phoebe Cary (1877): The Seal Fisher's Wife, A Fragment, Maid and Man | |
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| Phoebe Cary (1824-1871) | |
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| Griswold (1849): The Christian Women | |
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| Poems and Parodies (1854): Samuel Brown, "The Day is Done", The City Life, Jacob, The Wife, Shakespearian Readings | |
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| National Anti-Slavery Standard (1861): Dead Love | |
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| Beadle's Monthly (1866): The Hunter and the Doe | |
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| Galaxy (1866): In Absence | |
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| Harper's Bazar (1896): Dorothy's Dower: In Three Parts | |
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| Woodhull & Claflin's Weekly (1873): Was He Henpecked? | |
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| The Poetical Works of Alice and Phoebe Cary (1877): The Rose, Disenchanted, Hidden Sorrow | |
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| Lucy Larcom (1824-1893) | |
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| The Crayon (1857): Hannah Binding Shoes: A Rhyme of the Bay State | |
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| Poems (1869): Weaving | |
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| Atlantic Monthly (1870): Black Mountain in Bearcamp Lake | |
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| Good Company (1879): The Water Lily | |
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| Wild Roses of Cape Ann (1881): Wild Roses of Cape Ann, In Vision | |
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| Atlantic Monthly | |