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| Music Culture as a World of Music | |
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| The Soundscape | |
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| The Music-Culture | |
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| Music or Nonmusic? | |
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| Patterns in Music | |
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| A Music-Culture Performance Model | |
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| The Four Components of a Music-Culture | |
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| Ecological Worlds of Music | |
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| Study Questions | |
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| Glossary Resources | |
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| North America/Native America | |
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| The Sioux Musical Style (Close Listening: Grass Dance, Traditional Sioux War Dance The Zuni Musical Style; Close Listening: Zuni Lullaby) | |
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| The Iroquois Musical Style (Close Listening: "Gadasjot," Quiver Dance or Warrior's Stomp Dance Song) | |
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| Musical Life of the Navajos (Close Listening: Yebichai, Navajo Dance Song; Close Listening: "Folsom Prison Blues"; Close Listening: "Shizhan?'?," Navajo Circle Dance Song; Close Listening: Hymn of the Native American Church; Close Listening: "Clinging to a Saving Hand," Traditional Christian Hymn) | |
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| The Native American Flute Revival | |
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| Study Questions.Glossary | |
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| Resources | |
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| Africa: Ewe, Mande, Dagbamba, Shona, BaAka | |
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| Postal Workers Canceling Stamps (Close Listening: Postal Workers Canceling Stamps at the University of Ghana Post Office) | |
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| Agbekor: Music and Dance of the Ewe People (Close Listening: Agbekor Vulolo; Close Listening: Agbekor Adzo; Close Listening: Agbekor Vutsotsoe; Close Listening: Performance Demonstration of an Agbekor Percussion Ensemble) | |
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| The Jaliya of the Mande (Close Listening: "Lambango," a Mande Song) | |
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| Drummers of the Dagbamba (Close Listening: "Nag Biegu," Traditional Praise Name Dance Song) | |
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| Shona Mbira Music (Close Listening: "Nhemamusasa," Traditional Shona) | |
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| The BaAka, Forest People (Close Listening: "Makala," a Mabo Performance Event) | |
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| Conclusion as Discussion | |
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| Study Questions | |
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| Glossary Resources | |
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| North America/Black America | |
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| Music of Worship (Close Listening: "Amazing Grace") | |
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| Music of Work (Close Listening: Field holler; Close Listening: "Rosie" (call and response excerpt); Close Listening: "Rosie") | |
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| Music of Play | |
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| Blues (Close Listening: "Poor Boy Blues"; Close Listening: "She Got Me Walkin'"; Close Listening: "Ain't Enough Comin' In") | |
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| A Few Final Words | |
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| Study Questions | |
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| Glossary Resources | |
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| East Asia/Japan (by Linda Fujie) | |
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| General Characteristics of Japanese Traditional Music | |
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| The Shakuhachi (Bamboo Flute) (Close Listening: "Tsuru no sugomori" ("Nesting Cranes")) | |
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| The Kouta (Short Song) and Shamisen (Lute) (Close Listening: "Hakusen no" ("A White Fan")) | |
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| Folk Song (Close Listening: "Nikata-bushi" ("The Song of the Nikata")) | |
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| Popular Music (Close Listening: Taiko (Drumming); Close Listening: "Naite Nagasaki" ("Crying Nagasaki")) | |
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| Final Words | |
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| Study Questions | |
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| Glossary Resources | |
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| India/South India | |
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| Culture, History, Politics | |
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| The Classical Music of South India | |
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| A Carnatic Music Performance (Close Listening: "Sarasiruha," Kriti in Natai raga, Adi tala) | |
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| Indian Music and the West | |
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| Study Questions | |
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| Glossary Resources | |
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| Asia/Indonesia | |
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| Central Java | |
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| Gamelan (Close Listening: Performance Demonstration of a Javanese Gendhing, "Bubaran Kembang Pacar"; Close Listening: Playon "Lasem" sl?ndro pathet nem, Central Javanese Gamelan Music for Shadow Puppetry) | |
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| Bali (Close Listening: "Kosalia Arinim," Gamelan Gong Kebyar) | |
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| Popular Music (Close Listening: "Shufflendang-Shufflending," Ethno-Jazz Fusion of West Java) | |
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| Conclusion | |
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| Study Questions | |
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| Glossary Resources | |
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| Latin America: Chile/Bolivia/Ecuador/Peru | |
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| Chilean Nueva Canci?n (Close Listening: "El aparecido" ("The Apparition")) | |
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| Bolivian K'antu (Close Listening: "Kuitimunapaq" ("So that we can return")) | |
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| The Quichua of the Northern Andes of Ecuador (Close Listening: "Muyu muyari warmigu" ("Please return, dear woman"), a Quichua Sanju?n; Close Listening: "Iluman tiyu" ("Man from Iluman"), a Classic Sanju?n of the Imbabura Quichua) | |
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| African-Ecuadorian Music of the Chota River Valley (Close Listening: "Me gusta la leche" ("I like milk"), an African-Ecuadorian Sanju?n) | |
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| The Andean Ensemble Phenomenon: Going Abroad (Close Listening: "Amor imposible" ("Impossible Love"), Traditional Peruvian wayno) | |
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| Afro-Peruvian Music (Close Listening: "Azucar de bana" ("Sugar Cane"), an Afro-Peruvian Land? Despedida, or Farewell) | |
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| Study Questions | |
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| Glossary Resources | |
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| Discovering and Documenting a World of Music | |
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| Music in Our Own Backyards | |
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| Doing Musical Ethnography | |
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| References | |
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| Index | |