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| The Heritage of Antiquity | |
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| Orpheus and the Magical Powers of Music | |
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| Pythagoras and the Numerical Properties of Music | |
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| Plato''s Musical Idealism | |
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| Aristotle on the Purposes of Music | |
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| The Kinship of Music and Rhetoric | |
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| Music in Temple and Synagogue: the Judaic Heritage (Bible, Philo of | |
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| Music in the Christian Churches of Jerusalem, c. A.D. 400 | |
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| The Middle Ages | |
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| The Church Fathers on Psalmody and on the Dangers of Unholy Music | |
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| The Testimony of St. Augustine | |
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| The Transmission of the Classical Legacy | |
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| Music as a Liberal Art | |
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| Before Notation | |
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| Embellishing the Liturgy | |
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| Musical Notation and Its Consequences | |
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| Music in Courtly Life | |
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| The Emergence of Polyphony | |
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| The Forms and Practices of Music, c. 1300 | |
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| The First Musical Avant Garde | |
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| The Life of Francesco Landini | |
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| A Letter from | |
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| The Renaissance | |
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| The "Fount and Origin" | |
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| Music at Church and State Festivities in the Early Renaissance | |
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| The Triumph of Emperor Maximilian | |
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| Music as a Business | |
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| Music in Castiglione''s Courtier | |
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| Josquin des Prez in the Eyes of His Contemporaries | |
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| Luther and Music | |
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| The Swiss Reformers | |
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| The Reformation in England (cathedral injunctions | |
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| High Renaissance Style | |
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| Willaert the Reformer | |
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| Music at a Medici Wedding | |
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| Lasso and Palestrina as Revealed in The ir Letters | |
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| The Life of the Church Musician (Constitutiones Capellae Pontificae | |
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| The Genres of Music in the High Renaissance | |
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| The Counter Reformation | |
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| Palestrina: Fact and Legend | |
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| Madrigals and Madrigalism | |
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| Gesualdo, Nobleman Musician | |
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| The Most Musical Court in Europe | |
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| Music and Dancing as Social Graces (anonymous conversation book | |
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| Renaissance Instrumentalists | |
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| Radical Humanism: the End of the Renaissance | |
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| The Baroque | |
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| The Birth of a "New Music" | |
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| The "Second Practice" | |
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| The Earliest Operas | |
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| Basso Continuo and Figured Bass | |
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| From the Letters of Monteverdi | |
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| Venice, 1637: Opera Opens for Business | |
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| Schntz Recounts His Career | |
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| The Doctrine of Figures | |
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| Music and Scientific Empiricism | |
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| Music in the Churches of Rome, 1639 | |
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| Music under the Sun King | |
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| Rationalistic Distaste for Opera | |
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| A New Sound Ideal | |
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| The Baroque Sonata (North | |
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| Modern Concert Life is Born (North | |
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| The Mature Baroque: the Doctrine of the Affections (Descartes | |
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| The Art of Music Reduced to Rational Principles | |
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| The Earlies | |