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| List of Abbreviations | |
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| Introduction | |
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| Texts | |
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| Melanctha (excerpt, from Three Lives, 1905) | |
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| The Making of Americans (excerpt, 1911) | |
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| Picasso (1911) | |
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| Flirting at the Bon Marche (1911) | |
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| Bon Marche Weather (1911) | |
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| Orta or One Dancing (excerpt, 1912) | |
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| Susie Asado (1912) | |
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| Tender Buttons: Objects, Food (1913) | |
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| Scenes from the Door (from Useful Knowledge, 1918) | |
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| Photograph (1920) | |
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| A Movie (1920) | |
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| An Elucidation (1923) | |
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| If I Told Him, A Completed Portrait of Picasso (1923) | |
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| Fourteen Anonymous Portraits (1923) | |
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| Are There Arithmetics (1923) | |
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| Business in Baltimore (1925) | |
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| Composition as Explanation (1926) | |
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| Patriarchal Poetry (excerpt, 1927) | |
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| Sentences and Paragraphs (from How to Write, 1930) | |
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| History or Messages from History (1930) | |
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| We Came. A History (1930) | |
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| Stanzas in Meditation (excerpt, 1932) | |
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| Lecture I (from Narration, 1934) | |
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| Identity a Poem (1935) | |
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| What Are Master-pieces and Why Are There So Few of Them (1936) | |
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| Documents | |
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| "With Apologies to Gertrude Stein," newspaper advertisement (n.d.) | |
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| Two love notes from Stein to Toklas (n.d.): "Dear dainty delicious darling" and "Ir/Re/Sis/Ti/Belle" | |
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| Virgil Thomson, Letter to Gertrude Stein (May 30, 1933) | |
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| "Stein Opera Sung by All-Negro Cast," New York Times (February 9, 1934) | |
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| Thornton Wilder, Introduction to Narration (1935) | |
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| Selected Bibliography | |
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| Acknowledgments of Permissions | |