Reclaiming Female Agency Feminist Art History after Postmodernism

Name: Reclaiming Female Agency Feminist Art History after Postmodernism
Availability: InStock
ISBN: 9780520242524

ISBN-10: 0520242521

ISBN-13: 9780520242524

Edition: 2005

Authors: Norma Broude, Mary D. Garrard, Alison Arieff, Janis Bergman-Carton, Babette Bohn

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This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following theirFeminism and Art History: Questioning the Litany(1982) andThe Expanding Discourse: Feminism and Art History(1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history. Contributors: Allison Arieff, Janis Bergman-Carton,…

Book details

List price: $52.95
Copyright year: 2005
Publisher: University of California Press
Publication date: 4/11/2005
Binding: Paperback
Pages: 486
Size: 7.25" wide x 9.00" long x 1.25" tall
Weight: 2.662
Language: English



Introduction : reclaiming female agency




Here's looking at me : Sofonisba Anguissola and the problem of the woman artist




Learning to be looked at : a portrait of (the artist as) a young woman in Agnes Merlet's Artemisia




Artemisia's hand




The antique heroines of Elisabetta Sirani




Pictures fit for a queen : Peter Paul Rubens and the Marie de' Medici cycle




The portrait of the queen : Elisabeth Vigee-Lebrun's Marie-Antoinette en chemise




Depoliticizing women : female agency, the French Revolution, and the art of Boucher and David




Nudity a la grecque in 1799




A woman's pleasure : Ingres's Grande Odalisque




Conduct unbecoming : Daumier and Les Bas-Bleus




The gendering of impressionism




Selling, seduction, and soliciting the eye : Manet's bar at the Folies-Bergere




Mary Cassatt : modern woman or the cult of true womanhood?




The "strength of the weak" as portrayed by Marie Laurencin




New encounters with Les Demoiselles D'Avignon : gender, race, and the origins of cubism




The new woman in Hannah Hoch's photomontages : issues of androgyny, bisexuality, and oscillation




Claude Cahun, Marcel Moore, and the collaborative construction of a lesbian subjectivity




Louise Bourgeois's femmes-maisons : confronting Lacan




Reconsidering the stain : on gender and the body in Helen Frankenthaler's painting




Minimalism and biography




The "sexual politics" of the dinner party : a critical context




Cultural collisions : identity and history in the work of Hung Liu




Shirin Neshat : double vision