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| Illustrations | |
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| Music examples | |
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| Abbreviations | |
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| Introduction | |
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| Contributors | |
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| The Music of the Past and the Modern Ear | |
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| The good, the bad, and the boring | |
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| Value Judgements in music of the Renaissance | |
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| The English a cappella heresy | |
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| Going down on record | |
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| The work is not the performance | |
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| Beyond authenticity | |
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| Hard-sell, scholarship, and silly titles | |
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| Aspects of Music and Society | |
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| Centre and periphery: mainstream and provincial music | |
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| The meeting of sacred ritual and secular piety: endowments for music | |
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| Ritual reflections | |
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| Musicus and cantor | |
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| A day in the life of Francisco de Pe�alosa | |
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| A portrait of Sir Henry Unton | |
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| Women's history and early music | |
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| Questions of Form and StyleGenres: Vocal | |
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| Chant, or the politics of inscription | |
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| Monophonic song: quesions of category | |
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| Early Western polyphony | |
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| The late-medieval motet | |
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| Mass polyphony | |
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| Polyphonic song | |
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| Genre and function: some thoughts on Italian secular vocal music in the sixteenth century Genres: Instrumental | |
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| Fourteenth- and fifteenth-century keyboard music | |
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| Plucked instruments: silver tones of a golden age | |
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| The medieval fiddle: reflections of a performer | |
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| On the trail of ensemble music in the fifteenth century | |
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| Wind ensembles in the RenaissanceTechniques of Composition | |
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| Musical design and the rise of the cyclic Mass | |
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| Borrowed music: `Allez regrets' and the use of pre-existent material | |
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| Using the Evidence | |
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| Music and pictures in the Middle Ages | |
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| Music in Italian Renaissance painting | |
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| Echoes of the past in the present | |
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| Surviving instruments | |
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| Unwritten and written music | |
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| Researching the past: archival studies | |
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| A manuscript case-study | |
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| Pre-Performance Decisions | |
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| The editor: diplomat or dictator? | |
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| Mode | |
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| Musica ficta | |
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| Renaissance pitch | |
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| Is underlay necessary? | |
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| Restored pronunciation | |
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| Finding the right context: where to perform early music | |
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| Performance Techniques | |
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| Framing the life of the words | |
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| Reconstructing lost voices | |
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| Pythagoras at the forge: tuning in early music | |
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| Tempo to 1500 | |
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| Tempo and tactus after 1500 | |
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| Divisions in Renaissance music | |
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| `Perfect' instruments | |
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| Chronology | |
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| Glossary | |
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| Index | |