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| Preface | |
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| The Kingfishers | |
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| I, Maximus of Gloucester, to You | |
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| The Songs of Maximus | |
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| Maximus, to himself | |
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| The Death of Europe | |
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| A Newly Discovered 'Homeric' Hymn | |
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| The Lordly and Isolate Satyrs | |
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| As the Dead Prey Upon Us | |
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| Variations Done for Gerald van de Wiele | |
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| The Distances | |
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| The Song of the Borderguard | |
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| An Owl Is an Only Bird of Poetry | |
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| This Place Rumord To Have Been Sodom | |
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| The Dance | |
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| The Question | |
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| A Poem Beginning with a Line by Pindar | |
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| Food for Fire, Food for Thought | |
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| Dream Data | |
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| Beyond the End | |
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| The Hands | |
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| Merritt Parkway | |
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| The Way Through | |
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| The Third Dimension | |
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| Scenes from the Life of the Peppertrees | |
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| The Sharks | |
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| The Five-Day Rain | |
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| Pleasure | |
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| The Goddess | |
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| The Continuity | |
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| The Assistance | |
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| Night Song for Two Mystics | |
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| The Problem | |
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| Sirventes | |
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| The Once-over | |
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| The Encounter | |
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| The Innocence | |
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| The Kind of Act of | |
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| The Immoral Proposition | |
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| A Counterpoint | |
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| The Warning | |
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| The Whip | |
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| A Marriage | |
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| Ballad of the Despairing Husband | |
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| If You | |
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| Just Friends | |
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| The Three Ladies | |
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| The Door | |
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| The Awakening | |
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| The Way | |
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| Father | |
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| A Fete | |
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| Noise grimaced | |
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| B | |
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| Environ s | |
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| Open | |
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| A Gone | |
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| Passages | |
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| Keep me still, for I do not want to dream | |
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| Do it yrself | |
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| The Rick of Green Wood | |
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| Vaquero | |
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| The Hide of My Mother | |
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| Are They Dancing | |
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| The Air of June Sings | |
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| When the Fairies | |
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| A Little Tumescence | |
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| The Switch Blade (or, John's Other Wife) | |
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| Those Troublesome Disguises | |
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| The Distances to the Friend | |
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| Fast Ball | |
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| The Bath | |
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| The Bus Trip | |
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| The Feeding | |
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| Mare Nostrum | |
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| Blue Funk | |
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| I Love My Love | |
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| Advent | |
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| A Canticle to the Waterbirds | |
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| The South Coast | |
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| Feathers or Lead? | |
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| Once and Upon | |
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| Pictures of the Gone World | |
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| A Coney Island of the Mind | |
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| HE | |
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| Poem by the Charles River | |
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| A 4 Part Geometry Lesson | |
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| Poem | |
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| Herons | |
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| Poem | |
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| Imaginary Elegies, I-IV | |
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| Chicago Poem | |
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| After Anacreon | |
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| Musica no. 3 | |
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| Dance with Banderillas | |
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| Moon Is to Blood | |
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| Terror Conduction | |
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| "Man is in pain" | |
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| Morning Light Song | |
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| Still Poem 9 | |
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| This Is What the Watchbird Sings, Who Perches in the Lovetree | |
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| Sanctuary | |
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| Venice Recalled | |
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| Strange | |
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| Some Stories of the Beauty Wapiti | |
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| "Each Found Himself at the End of ..." | |
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| Mexico City Blues: 12 Choruses | |
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| The Shrouded Stranger | |
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| Malest Cornifici Tuo Catullo | |
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| Sunflower Sutra | |
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| A Supermarket in California | |
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| Howl, Parts I and II | |
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| Sather Gate Illumination | |
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| Message | |
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| Kaddish, Parts I, III, IV, V | |
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| Birthplace Revisited | |
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| Poets Hitchhiking on the Highway | |
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| Zizi's Lament | |
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| Uccello | |
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| But I Do Not Need Kindness | |
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| Dialogue -- 2 Dollmakers | |
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| Paranoia in Crete | |
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| A Dreamed Realization | |
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| From Another Room | |
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| Notes After Blacking Out | |
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| Marriage | |
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| Second Poem | |
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| Parachutes, My Love, Could Carry Us Higher | |
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| Sunday Evening | |
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| Santa Fe Trail | |
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| Piazzas | |
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| Salute | |
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| February | |
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| "The Elizabethans Called It Dying" | |
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| Freely Espousing | |
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| A View of Jersey | |
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| The Floor Is Dirty | |
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| Mending Sump | |
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| Fresh Air | |
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| Thank You | |
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| Chez Jane | |
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| For James Dean | |
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| Ode | |
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| Why I Am Not a Painter | |
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| In Memory of My Feelings | |
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| Ode to Joy | |
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| To Hell with It | |
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| Ode: Salute to the French Negro Poets | |
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| Ode to Michael Goldberg ('s Birth and Other Births) | |
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| The Day Lady Died | |
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| You Are Gorgeous and I'm Coming | |
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| Poem | |
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| Poem | |
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| In Favor of One's Time | |
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| Hotel Transylvanie | |
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| A Boy | |
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| The Instruction Manual | |
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| "How Much Longer Will I Be Able To Inhabit the Divine Sepulcher ..." | |
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| Martyrdom of Two Pagans | |
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| 2 Variations: All About Love | |
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| Sourdough Mountain Lookout | |
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| Denunciation: or, Unfrock'd Again | |
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| The Same Old Jazz | |
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| Forty-five Years Since the Fall of the Ch'ing Dynasty | |
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| For C | |
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| Take I, 4:II:58 | |
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| A Classic Case | |
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| The Zoo | |
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| Flowers for Luis Bunuel | |
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| The Recluses | |
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| Feasts of Death, Feasts of Love | |
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| Praise for Sick Women | |
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| Riprap | |
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| For a Far-out Friend | |
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| This Tokyo | |
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| Myths and Texts, Part III: Burning | |
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| Leave the Word Alone | |
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| The Breech | |
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| The Rug | |
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| Hymn to St. Geryon, I | |
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| Canticle | |
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| Peyote Poem, Part I | |
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| Ode for Soft Voice | |
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| For Artaud | |
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| The Flowers of Politics, I | |
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| The Flowers of Politics, II | |
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| Poem of Holy Madness, Part IV | |
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| Blood | |
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| In Memory of Radio | |
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| Preface to a Twenty Volume Suicide Note | |
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| Way Out West | |
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| One Night Stand | |
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| To a Publisher ... cut-out | |
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| Ostriches and Grandmothers! | |
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| The Turncoat | |
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| A poem for painters | |
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| A poem for the old man | |
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| A poem for museum goers | |
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| A poem for the insane | |
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| A poem for trapped things | |
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| Pastoral | |
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| Insomniac Poem | |
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| The Thing Made Real | |
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| The Stillness of the Poem | |
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| Mrs. Loewinsohn andc | |
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| My Sons | |
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| Revelation | |
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| 12th Raga / for John Wieners | |
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| 15th Raga / for Bela Lugosi | |
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| Prayerwheel / 2 | |
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| Statements on Poetics | |
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| Charles Olson: Projective Verse | |
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| Letter to Elaine Feinstein | |
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| Robert Duncan: Pages from a Notebook | |
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| Robert Creeley: To Define | |
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| Olson and Others: Some Orts for the Sports | |
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| Denise Levertov | |
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| Lawrence Ferlinghetti | |
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| Jack Spicer: Letter to Lorca | |
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| Jack Kerouac | |
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| Allen Ginsberg: Notes for Howl and Other Poems | |
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| James Schuyler: Poet and Painter Overture | |
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| Frank O'Hara | |
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| Philip Whalen | |
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| Gary Snyder | |
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| Michael McClure: From a Journal | |
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| LeRoi Jones: "How You Sound??" | |
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| John Wieners: From a Journal | |
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| Biographical Notes | |
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| Afterword | |
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| A Short Bibliography | |
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| Index (of Authors and Poems) | |