Third World Film Making and the West

ISBN-10: 0520056906

ISBN-13: 9780520056909

Edition: 1987

Authors: Roy Armes
List price: $36.95 Buy it from $13.93
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Description: This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as "nation," "national culture," and "language" are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World's most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent beingFrench Cinema. He spent more than three years researching this volume.

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Book details

List price: $36.95
Copyright year: 1987
Publisher: University of California Press
Publication date: 7/29/1987
Binding: Paperback
Pages: 381
Size: 6.00" wide x 9.00" long x 0.75" tall
Weight: 1.144
Language: English

Omer Bartov is the John P. Birkelund Distinguished Professor of European History at Brown University. His many books include Hitler's Army, Mirrors of Destruction, and Germany's War and the Holocaust. He lives in Cambridge, Massachusetts.Roy Armes is Professor Emeritus of Film at Middlesex University in London. His recent books include Third World Film Making and the West, Arab and African Film Making, Dictionary of North African Film Makers, and Omar Gatlato.

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