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Introduction | |
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Cultural developments and predisposing techniques 1750-1939 | |
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Cultural transformations: Neo-Classical architecture 1750-1900 | |
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Territorial transformations: urban developments 1800-1909 | |
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Technical transformations: structural engineering 1775-1939 | |
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A critical history 1836-1967 | |
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News from Nowhere: England 1836-1924 | |
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Adler and Sullivan: the Auditorium and the high rise 1886-95 | |
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Frank Lloyd Wright and the myth of the Prairie 1890-1916 | |
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Structural Rationalism and the influence of Viollet-le-Duc: Gaudi, Horta, Guimard and Berlage 1880-1910 | |
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Charles Rennie Mackintosh and the Glasgow School 1896-1916 | |
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The Sacred Spring: Wagner, Olbrich and Hoffmann 1886-1912 | |
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Antonio Sant'Elia and Futurist architecture 1909-14 | |
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Adolf Loos and the crisis of culture 1896-1931 | |
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Henry van de Velde and the abstraction of empathy 1895-1914 | |
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Tony Garnier and the Industrial City 1899-1918 | |
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Auguste Perret: the evolution of Classical Rationalism 1899-1925 | |
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The Deutsche Werkbund 1898-1927 | |
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The Glass Chain: European architectural Expressionism 1910-25 | |
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The Bauhaus: the evolution of an idea 1919-32 | |
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The New Objectivity: Germany, Holland and Switzerland 1923-33 | |
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De Stijl: the evolution and dissolution of Neo-Plasticism 1917-31 | |
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Le Corbusier and the Esprit Nouveau 1907-31 | |
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Miesvan der Rohe and the significance of fact 1921-33 | |
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The New Collectivity: art and architecture in the Soviet Union 1918-32 | |
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Le Corbusier and the Ville Radieuse 1928-46 | |
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Frank Lloyd Wright and the Disappearing City 1929-63 | |
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Alvar Aalto and the Nordic tradition: National Romanticism and the Doricist sensibility 1895-1957 | |
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Giuseppe Terragni and the architecture of Italian Rationalism 1926-43 | |
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Architecture and the State: ideology and representation 1914-43 | |
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Le Corbusier and the monumentalization of the vernacular 1930-60 | |
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Mies van der Rohe and the monumentalization of technique 1933-67 | |
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The Eclipse of the New Deal: Buckminster Fuller, Philip Johnson and Louis Kahn 1934-64 | |
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Critical assessment and extension into the present 1925-91 | |
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The International Style: theme and variations 1925-65 | |
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New Brutalism and the architecture of the Welfare State: England 1949-59 | |
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The vicissitudes of ideology: CIAM and Team X, critique and counter-critique 1928-68 | |
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Place, Production and Scenography: international theory and practice since 1962 | |
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Critical Regionalism: modern architecture and cultural identity | |
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World architecture and reflective practice | |
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Acknowledgments | |
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Select Bibliography | |
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Index | |