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The Enlightenment And The Classical Era | |
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Music in the Age of Enlightenment: Opera | |
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Music in the Age of Enlightenment: Orchestral Music | |
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Music in the Age of Enlightenment: Keyboard Music | |
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Classical Music in Vienna | |
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Joseph Haydn: Instrumental Music | |
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Joseph Haydn: Late Symphonies and Vocal Music | |
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Wolfgang Amadeus Mozart: Instrumental Music | |
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Wolfgang Amadeus Mozart: Vocal Music | |
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The Early Music of Beethoven | |
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Beethoven+s Middle Period: 1802-1814 | |
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After the Congress of Vienna: Beethoven+s Late Music | |
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Romanticism | |
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Musical Interlude 7: Romanticism | |
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Franz Schubert | |
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Music in Paris Under Louis Philippe: Berlioz and Chopin | |
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Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
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German Opera in the Nineteenth Century: Weber and Wagner | |
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Opera in Italy: Rossini and VerdiS | |
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Nationalism and Virtuosity: Franz Liszt | |
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Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
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Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
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Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler | |
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England at the End of the Romantic Period: Elgar and Vaughan Williams | |
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Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
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Paris of the Belle Epoque: Debussy, FaurT, and Lili Boulanger | |
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The Early Twentieth Century | |
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Musical Interlude 8: Music Since 1900 | |
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Richard Strauss in Berlin | |
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Music in Russian During the Silver Age: Igor Stravinsky | |
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Atonality: Schoenberg and Scriabin | |
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French Music at the Time of World War I: Ravel and Satie | |
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Music in Paris After World War I: Stravinsky and the Six | |
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Vienna in the Aftermath of War: Twelve-Tone Methods | |
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Musical Theater in Germany in the 1920+s: Berg and Weill | |
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BTla Bart=k and Hungarian Folk Music | |
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Early Jazz | |
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Paul Hindemith and Music in Nazi Germany | |
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Music in Soviet Russia: Prokofiev and Shostakovich | |
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Self-Reliance in American Music: Ives, Seeger, and Nancarrow | |
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American Composers Return from Europe: Copland and Barber | |
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Tin Pan Alley and the Broadway Musical | |
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Contemporary Music | |
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Musical Interlude 9: After World War II | |
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Reflections on War: Britten, Penderecki, and Others | |
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Twelve-Tone Music and Serialism After World War II | |
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Alternatives to Serialism: Chance, Electronics, Textures | |
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Harlem in the 1930s, 1940s, and 1950s: Big Bands, Bebop, and Cool Jazz | |
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Musical Interlude 10: The Birth of Rock | |
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Musical Interlude 11: Music in the Movies | |
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Music of the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations | |
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Returning to the Known: Music of the Recent Past | |