Anthology for Music in Western Civilization

ISBN-10: 0495572748
ISBN-13: 9780495572749
Edition: 2010
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List Price: $94.95
Copyright Year: 2010
Publisher: Wadsworth
Publication Date: 3/17/2009
Binding: Paperback
Pages: 768
Size: 8.25" wide x 10.50" long x 1.00" tall
Weight: 3.498

Timothy J. Roden (Bachelor of Music, Houghton College, 1980; Ph.D., Northwestern University, 1992) teaches music history, world music, survey of music literature, and music appreciation at Ohio Wesleyan University. He received grants from Northwestern University and the Deutscher Akademischer Austauschdienst that allowed him to complete research in Berlin, Germany, on German orchestral lieder. He has contributed an article on Schumann's lieder to the NATS Journal, is preparing an edition of orchestral lieder for a scholarly press, and has prepared ancillaries to accompany Wright's LISTENING TO MUSIC (Thomson-Schirmer).

Bryan R. Simms (Bachelor of Arts, Yale University, 1966; Ph.D., Yale University, 1971) has taught since 1976 at the University of Southern California, where he has been director of graduate studies and is currently chair of the department of musicology. He is the recipient of fellowships from the National Endowment for the Humanities and the Fulbright Foundation. He is the author of books and articles on topics in twentieth-century music and music theory, including MUSIC OF THE TWENTIETH CENTURY (Schirmer 1996) and, most recently, THE ATONAL MUSIC OF ARNOLD SCHOENBERG, 1908-1923 (Oxford University Press).

Antiquity and the Middle Ages
Music in Ancient Greece
Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World
Chant in the Monastery and Convent
Music Theory in the Monastery
Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen
Troubadours and TrouvFres
Early Polyphony
Music in Medieval Paris: Polyphony at Notre Dame
Inside the Cathedral Close and University: Conductus and Motet
In the Parisian Master+s Study: Music Theory of the Ars Antiqua and Ars Nova
Music at the Court of the French Kings: The Ars Nova
Fourteenth-Century Music in Reims: Guillaume de Machaut
Avignon, Symbolic Scores, and the Ars Subtilior
Musical Interlude 1: From Medieval Manuscript to Modern Performance
The Late Middle Ages and Early Renaissance
Music in Florence, 1350-1425
Music at the Cathedral of Florence
Music in Englands
Music at the Court of Burgundy
Music at the French Royal Court
Music in the Low Countries
The Late Renaissance
Musical Interlude 2: Music in the Late Renaissance
Popular Music in Florence, 1470-1540: Carnival Song and Lauda, Frottola, and Early Madrigal
Josquin Desprez and Music in Ferrara
Musical Interlude 3: Music Printing During the Renaissance
Music in Renaissance Paris
Renaissance Instruments and Instrumental Music
Musical Interlude 4: Music Theory in the Renaissance
Music in Three German Cities: The Protestant-Catholic Confrontation
Rome and the Music of the Counter-Reformation
Music in Elizabethan England
Early Vocal Music
Music in Elizabethan England
Later Vocal Music and Instrumental Music
The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi
Baroque Music
Early Baroque Music
The Birth of Opera: Florence, Mantua, and Venice
The Concerted Style in Venice and Dresden
Religious Music in Baroque Rome
Musical Interlude 5: A Baroque Christmas in the Andes of South America
Instrumental Music in Italy
Instrumental Music in Germany and Austria
Music in Paris and at the Court of Versailles: Vocal Music
Music in Paris and at the Court of Versailles: Instrumental Music
Musical Interlude 6: From Ancient to Modern: Aspects of Baroque Music Theory
Music in London
Henry Purcell
Music in London
George Frideric Handel
Johann Sebastian Bach: Instrumental Music in Weimar and C-then
Johann Sebastian Bach: Vocal Music in Leipzig

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