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Antiquity and The Middle Ages | |
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Music in Ancient Greece | |
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Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World | |
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Music in the Monastery and Convent | |
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Music Theory in the Monastery: John of St. Gall and Guido of Arezzo | |
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Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen | |
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Troubadours and TrouvFres | |
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Early Polyphony | |
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Music in Medieval Paris: Polyphony at Notre Dame | |
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Music in the Cathedral Close and University: Conductus and Motet | |
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In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova | |
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Music at the Court of the French Kings | |
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Fourteenth-Century Music in Reims: Guillaume de Machaut | |
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Avignon, Symbolic Scores, and the Ars Subtilior | |
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Musical Interlude | |
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From Medieval Manuscript To Modern Performance | |
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The Late Middle Ages and Early Renaissance | |
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Music in Florence, 1350-1425 | |
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Music at the Cathedral of Florence | |
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Music in England | |
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Music at the Court of Burgundy | |
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Music at the French Royal Court | |
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Music in the Low Countries | |
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The Late Renaissance | |
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Musical Interlude | |
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Musical Humanism and The Renaissance | |
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Popular Music in Florence, 1475-1540: Carnival Song and Lauda, Frottola, and Early Madrigal | |
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Josquin Des Prez and Music in Ferrara | |
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Musical Interlude | |
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Music Printing During The Renaissance | |
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Music in Renaissance Paris | |
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Renaissance Instruments and Instrumental Music | |
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Musical Interlude | |
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Music Theory In The Renaissance | |
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Music in Three German Cities: The Protestant-Catholic Confrontation | |
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Rome and the Music of the Counter-Reformation | |
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Music in Elizabethan England | |
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Early Vocal Music | |
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Music in Elizabethan England | |
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Instrumental Music and Later Vocal Music | |
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The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi | |