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A Historical Survey of Religious and Secular Music in Israel and Its Neighboring Countries Throughout Biblical and Post-Biblical Ages up to the Destruction of the Second Temple | |
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Semitic-Oriental Song. Tables I, II, and III | |
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The Oldest Unrythmical Elements of Jewish Song. A: The Modes of the Bible. - The Ta'Amim (Musical Notation) of the Bible. Tables IV, V, VI, VII, VIII, IX, X and XI | |
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The Oldest Unrhythmical Elements of Jewish Song (Continued). B: The Modes of the Prayers. Tables XII, XIII, XIII[superscript a], XIV, and XV | |
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A Historical Survey of the Synagogue Song After the Destruction of the Second Temple Until the Rise of Islam (70 C.E.-700 C.E.) | |
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Rise and Development of the Precentor and the Chazzan from Ancient Times Until the Eighth Century | |
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The Rhythmical Song in the Oriental and Sephardic Synagogue. Tables XVI, XVII, XVIII, XIX, and XX | |
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The Synagogue Song of the "Ashkenazim." Tables XXI, XXII, XXIII, XXIV, XXV, XXVI | |
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The Song of the Synagogue in Eastern Europe Up to the Eighteenth Century. Table XXVII | |
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The Introduction of Harmony and Polyphony into the Synagogue in Italy by Salomon Rossi | |
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The Ashkenazic Song of the Synagogue in the Seventeenth and Eighteenth Centuries. Table XXVIII | |
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The Influence of the Reform Movement on the Synagogue Song in the Beginning of the Nineteenth Century. Table XXIX | |
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The Influence of Moderate Reform Upon Synagogue Song During the Nineteenth Century in Central and Western Europe. Bibliography | |
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"Chazzanim" and "Chazzanuth" in Eastern Europe in the Nineteenth Century | |
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Synagogue Song in the United States of America | |
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Collections of and Literature on Synagogue Song | |
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The Folk-Song of the Oriental Jews. Table XXX | |
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The Folk-Song of the Ashkenazim. Tables XXXI and XXXII | |
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Chassidic Song. Table XXXIII | |
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Badchonim (Merry-Makers) and Klezmorim (Music-Makers), Song and Singers in Folk Style. Table XXXIV | |
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Artistic Endeavors | |
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The Jew in General Music | |
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Harmony. Table XXXV | |
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Conclusion | |
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Notes | |
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Index | |