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| Series | |
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| Preface | |
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| Preface to the Sixth Edition | |
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| Fundamentals | |
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| Spectral Colour Reproduction | |
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| Introduction | |
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| The spectrum | |
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| The micro-dispersion method of colour photography | |
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| The Lippmann method | |
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| Use of identical dyes | |
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| Approximate spectral colour reproduction | |
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| A simplified approach | |
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| Trichromatic Colour Reproduction and the Additive Principle | |
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| Introduction | |
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| Maxwell's method | |
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| The physiology of human colour vision | |
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| Spectral sensitivity curves of the retina | |
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| Unwanted stimulations | |
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| Additive Methods | |
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| Introduction | |
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| The successive frame method | |
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| The mosaic method | |
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| The lenticular method | |
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| The virtual-image method | |
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| The diffraction method | |
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| Errors in additive methods | |
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| The Subtractive Principle | |
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| Introduction | |
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| The subtractive principle | |
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| Defects of the subtractive principle | |
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| Visual Appreciation | |
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| Introduction | |
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| The basis of judgement | |
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| Variations of hue | |
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| Variations of lightness | |
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| Variations of colourfulness | |
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| Priorities | |
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| Factors affecting apparent colour balance | |
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| Integrating to grey | |
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| The perception of depth | |
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| Tone Reproduction | |
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| Introduction | |
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| Identical viewing conditions | |
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| Characteristic curves | |
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| Different luminance levels | |
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| Different surround conditions | |
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| Complications with solid objects | |
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| Comparisons of transparencies and reflection prints | |
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| Colourfulness | |
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| Exposure latitude | |
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| Tone reproduction in duplicating | |
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| Tone reproduction in television | |
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| Lighting geometry | |
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| Conclusions | |
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| The Colour Triangle | |
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| Introduction | |
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| Colour terminology | |
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| Trichromatic matching | |
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| Colour-matching functions | |
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| The colour triangle | |
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| The centre of gravity law | |
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| Other colour triangles | |
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| Additive colour reproduction | |
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| The Ives-Abney-Yule compromise | |
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| Colour gamuts of reflecting and transmitting colours | |
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| Two-colour reproductions | |
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| Colour Standards and Calculations | |
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| Introduction | |
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| Standard illuminants | |
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| The Standard Observers | |
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| Colour transformations | |
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| Properties of the XYZ system | |
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| Uniform chromaticity diagrams | |
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| Nomograms | |
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| Uniform colour spaces | |
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| Subjective effects | |
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| Haploscopic matching | |
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| Subjective colour scaling | |
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| Physical colour standards | |
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| Whiteness | |
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| The Colorimetry of Subtractive Systems | |
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| Introduction | |
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| Subtractive chromaticity gamuts | |
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| Subtractive gamuts in the colour solid | |
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| Spectral sensitivities for block dyes | |
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| Spectral sensitivities for real dyes | |
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| MacAdam's analysis | |
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| Umberger's analysis | |
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| Two-colour subtractive systems | |
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| Subtractive quality | |
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| Light Sources | |
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| Introduction | |
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| Tungsten lamps | |
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| Spectral-power converting filters | |
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| Daylight | |
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| Fluorescent lamps | |
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| Sodium, mercury, and metal-halide lamps | |
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| Xenon arcs | |
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| Carbon arcs | |
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| Photographic flash-bulbs | |
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| The red-eye effect | |
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| Correlated colour temperatures of commonly used light sources | |
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| Colour rendering of light sources | |
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| Visual clarity | |
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| Polarization | |