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| Introduction | |
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| Foundations: Studying Gender and Media | |
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| Introduction to Part I | |
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| Feminist Perspectives on the Media | |
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| The Symbolic Annihilation of Women by the Mass Media | |
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| Visual Pleasure and Narrative Cinema | |
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| Defining Women: The Case of Cagney and Lacey | |
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| Gender and the Culture of Empire: Toward a Feminist Ethnography of Cinema | |
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| Beyond Racism and Misogyny: Black Feminism and 2 Live Crew | |
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| Imitation and Gender Insubordination | |
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| Postfeminist Media Culture: Elements of a Sensibility | |
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| Production: Employment, Creativity, Marketing, and Technology | |
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| Introduction to Part II | |
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| Women and Men in Film: Gender Inequality Among Writers in a Culture Industry | |
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| Women's Film Production: Going Mainstream | |
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| Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy | |
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| Hiding Homoeroticism in Plain View: The Fight Club DVD as Digital Closet | |
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| Fractured Fairy Tales and Fragmented Markets: Disney's Weddings of a Lifetime and the Cultural Politics of Media Conglomeration | |
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| Gender and the Commodification of Community: Women.com and gURL.com | |
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| "I'll Resist With Every Inch and Every Breath": Girls and Zine Making as a Form of Resistance | |
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| Looking to Get Paid: How Some Black Youth Put Culture to Work | |
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| Women and the Electric Guitar | |
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| Texts: Bodies, Identities, and Representation | |
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| Introduction to Part III | |
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| Boys Will Be Boys: Men's Magazines and the Normalisation of Pornography | |
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| Reckoning Loyalties: White Femininity as "Crisis" | |
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| Brain, Brow, and Booty: Latina Iconicity in U.S. Popular Culture | |
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| Missy "Misdemeanor" Elliott: Rapping on the Frontiers of Female Identity | |
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| Making Her (In)visible: Cultural Representations of Lesbianism and the Lesbian Body in the 1990s | |
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| Joe Millionaire and Women's Positions: A Question of Class | |
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| Boys Don't Cry and Female Masculinity: Reclaiming a Life & Dismantling the Politics of Normative Heterosexuality | |
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| The Televised Sports Manhood Formula | |
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| Looking for My Penis: The Eroticized Asian in Gay Video Porn | |
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| Queer Eye for the Straight Guise : Camp, Postfeminism, and the Fab Five's Makeovers of Masculinity | |
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| "Slaves with White Collars": Persistent Performances of Masculinity in Crisis | |
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| A Body of Text: Revisiting Textual Performances of Gender and Sexuality on the Internet | |
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| Texts: Genre, Mode, and Other Narrative Strategies | |
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| Introduction to Part IV | |
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| Oedipus Interruptus | |
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| A "Girlboy's" Own Story: Non-Masculine Narrativity in Ma Vie en Rose | |
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| Speculations on the Relationship between Soap Opera and Melodrama | |
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| Film Bodies: Gender, Genre, and Excess | |
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| "I Just Want to Be Me Again!": Beauty Pageants, Reality Television, and Post-feminism | |
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| Fists of Fury: Discourses of Race and Masculinity in the Martial Arts Cinema | |
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| Letting the Boys Be Boys: Talk Radio, Male Hysteria, and Political Discourse in the 1980s | |
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| "Waddaya Lookin' At?" Re-reading the Gangster Genre through The Sopranos | |
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| "Never Trust a Snake": WWF Wrestling as Masculine Melodrama | |
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| Forging Masculinity: Heavy-Metal Sounds and Images of Gender | |
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| The Gendered Carnival of Pop | |
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| Consumption: Spectators, Fans, Users, and Gamers | |
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| Introduction to Part V | |
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| Women's Genres: Melodrama, Soap Opera, and Theory | |
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| The Oppositional Gaze: Black Female Spectators | |
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| There's Something Queer Here | |
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| Behind Closed Doors: Video Recorders in the Home | |
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| Sizing Up Record Collections: Gender and Connoisseurship in Rock Music Culture | |
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| Feminine Fascinations: Forms of Identification in Star-Audience Relations | |
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| The Fabulous Sublimity of Gay Diva Worship | |
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| Private Uses of Cyberspace: Women, Desire, and Fan Culture | |
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| Women and Games: Technologies of the Gendered Self | |
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| Real Boys Carry Girly Epics: Normalising Gender Bending in Online Games | |
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