Race-Ing Art History Critical Readings in Race and Art History

ISBN-10: 0415927617
ISBN-13: 9780415927611
Edition: 2002
List price: $58.95 Buy it from $37.89
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Description: Assembled chronologically, these essays draw upon multiculturalism, postcolonialism and critical race theory to confront the longstanding tradition of art as a means of looking at the Other.

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Book details

List price: $58.95
Copyright year: 2002
Publisher: Routledge
Publication date: 8/9/2002
Binding: Paperback
Pages: 400
Size: 7.00" wide x 9.75" long x 1.00" tall
Weight: 1.694
Language: English

Assembled chronologically, these essays draw upon multiculturalism, postcolonialism and critical race theory to confront the longstanding tradition of art as a means of looking at the Other.

Pinder is Assistant Professor of Art History at the School of the Art Institute of Chicago.

List of figures
List of Color Plates
Introduction: Kymberly N. Pinder
Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages
"Just Like Us": Cultural Constructions of Sexuality and Race in Roman Art
Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs
A Sanctified Black: Maurice
Imag(in)ing Race in the Eighteenth and Nineteenth Centuries
The Imaginary Orient
"Only Women should go to Turkey": Henriette Brown and the Orientalist Female Gaze
The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality
Going Native: Abigail
Racism, Nationalism, and Nostalgia
Blacks in Shark- Infested Waters
"Making a Man of Him": Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture
Modernism and its "Primitive" Legacy
Histories of the Tribal and the Modern
The White Peril and L'Art n�gre : Picasso, Primitivism, and Anticolonialism
New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism
Wilfredo Lam: Painter of Negritude
Sargent Johnson: Afro-Californian Modernist
Horace Pippin's Challenge to Art Criticism
In Search of the "Inauthentic": Disturbing Signs in Contemporary Native American Art
Altars of Sacrifice: Re-membering Basquiat: bell hooks
Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century
International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965
The Other Immigrant: The Experience and Achievements of Afro-Asian Artists
Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation
Biraciality and Nationhood in Twentieth-Century American Art
List of Contributors Permissions

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