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| Acknowledgements | |
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| Foreword | |
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| Introduction | |
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| Read Me First! | |
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| What is Architecture? | |
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| Organization, Order, Composition | |
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| Utility, Function, Purpose | |
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| Measure, Matter, Method | |
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| Design and Method | |
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| Method and Methodology | |
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| How This Book Works | |
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| Two Roles for Precedents | |
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| The Form of the Argument | |
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| Glossary | |
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| Description 1: Order and Measure | |
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| Demonstrations | |
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| Sorting Through Ideas | |
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| Diagrams as Method | |
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| Diagram Types | |
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| Diagram and Design Education | |
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| Learning Diagrammatic Form | |
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| Gestalt Sub-categories | |
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| The Diagram and Visual Order | |
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| Our Purpose | |
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| Glossary | |
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| Description 2: The Essential Hut | |
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| Demonstrations | |
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| Order First | |
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| On Order | |
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| On Measure | |
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| Dividing the Square | |
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| Rules of Engagement | |
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| Positive and Negative Space | |
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| Order and the Orthogonal | |
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| Glossary | |
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| Description 3: Order, Orientation and the Orthogonal | |
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| Demonstrations | |
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| Design and Drawing Fundamentals | |
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| On Drawing | |
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| Relevance to Design | |
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| Deriving Order in Drawing | |
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| Exercises in Relational Geometry | |
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| Defined and Implied Space | |
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| Analyzing the Composition | |
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| Three Variant Compositions | |
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| Contrast, Repetition, Alignment and Proximity | |
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| The Variations Considered | |
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| General Observations | |
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| Motif, Pattern and Theme | |
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| Defined Fields | |
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| Sorting Through Results | |
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| Implied Fields | |
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| Adding Fields | |
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| Combining Fields | |
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| Summary | |
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| Glossary | |
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| Description 4: The Courtyard | |
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| Demonstrations | |
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| Building on Proportion | |
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| Object on a Field | |
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| A figure in the Relational Field | |
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| Looking at the Groups | |
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| Adding to the Quadrants | |
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| Two Elements | |
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| Refining the Figures | |
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| Observing the New Figures | |
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| Observing the New Group | |
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| Glossary | |
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| Description 5: Figures and Fields | |
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| Demonstrations | |
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| Conventions in Design | |
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| Drawing in the Third Dimension | |
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| Adding Fields and Overhead Planes | |
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| Turning the Grid | |
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| Reading the Section | |
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| Plan Layers | |
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| Final Relief | |
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| Summary | |
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| Glossary | |
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| Description 6: Axis and Path | |
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| Starting in Three Dimensions | |
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| Design on a Grid | |
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| The Site | |
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| Three Figures | |
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| Spatial Models | |
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| Visualizing Axes | |
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| Spatial Hierarchy - Field, Grain and Path | |
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| Clarifying Plan Elements | |
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| More Complex Strategies | |
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| Diagram Model #1 | |
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| Three Diagram Models | |
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| Five Diagrams | |
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| Constructing the Model | |
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| Glossary | |
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| Description 7: Spatial systems | |
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| Precedent in Two Dimensions | |
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| Introduction | |
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| Two Concepts | |
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| Two Expressions | |
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| Two Dimensions | |
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| House with Three Courts | |
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| The Danteum | |
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| Glossary | |
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| Precedents in Three Dimensions | |
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| Introduction | |
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| Representing the Third Dimension | |
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| Phillips Exeter Academy Library | |
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| Plan + Section = Isometric | |
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| Three-dimensional Anatomy | |
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| Unity Temple | |
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| Fundamental Diagrams | |
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| Cubes in Common | |
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| Diagram as Generator | |
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| Glossary | |
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| Color & Material in Diagrams | |
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| First observations | |
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| Initial Encounters | |
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| A first Visual Palette | |
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| Color and Materials | |
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| Color and Material as Identifiers in Diagrams | |
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| Glossary | |
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| Demonstration | |
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| Appendices | |
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| Glossary | |
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| Sources | |
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| Index | |