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Introduction: Music Studies and the Idea of Culture | |
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When? Musical Histories | |
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Music and Biocultural Evolution | |
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Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement | |
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Historical Musicology: Is It Still Possible? | |
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Social History and Music History | |
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Musicology, Anthropology, History | |
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Where? Locations of Music | |
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Textual Analysis or Thick Description? | |
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Comparing Music, Comparing Musicology | |
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The Destiny of Diaspora in Ethnomusicology | |
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Globalization and the Politics of World Music | |
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Contesting Difference: A Critique of Africanist Ethnomusicology | |
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What a Difference a Name Makes: Two Instances of African-American Popular Music | |
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Music, Space, and Place: The Geography of Music | |
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Music and Everyday Life | |
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How? Processes, Practices, and Institutions of Music | |
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Music, Culture, and Creativity | |
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Musical Autonomy Revisited | |
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Music as Performance | |
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The Cultural Study of Musical Instruments | |
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Music Education, Cultural Capital, and Social Group Identity | |
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Music Technology, or Technologies of Music? | |
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Music and Material Culture | |
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Whose? Social Forces and Musical Belongings | |
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Music and Social Categories | |
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Music and Mediation: Toward a New Sociology of Music | |
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Music and the Social | |
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Locating the People: Music and the Popular | |
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Music and the Market: The Economics of Music in the Modern World | |
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Music, Sound, and Religion | |
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Music, Race, and the Fields of Public Culture | |
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Music, Gender, and Sexuality | |
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Who? Musical subjectivities | |
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What's Going On: Music, Psychology, and Ecological Theory | |
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Musical Materials, Perception, and Listening | |
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Music, Experience, and the Anthropology of Emotion | |
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Towards a Political Aesthetics of Music | |
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Music and the Subject: Three Takes | |
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Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin de Si�cle | |
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Subjectivity Unbound: Music, Language, Culture | |
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