Cultural Study of Music A Critical Introduction

ISBN-10: 0415881919
ISBN-13: 9780415881913
Edition: 2nd 2012 (Revised)
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Book details

Edition: 2nd
Copyright year: 2012
Publisher: Taylor & Francis Group
Publication date: 1/17/2012
Binding: Paperback
Pages: 480
Size: 6.00" wide x 8.75" long x 0.50" tall
Weight: 1.298
Language: English

Martin Clayton is Professor in Ethnomusicology at Durham University.Richard Middletown is Emeritus Professor of Music at Newcastle University.Trevor Herbert is Professor of Music at The Open University.

Introduction: Music Studies and the Idea of Culture
When? Musical Histories
Music and Biocultural Evolution
Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement
Historical Musicology: Is It Still Possible?
Social History and Music History
Musicology, Anthropology, History
Where? Locations of Music
Textual Analysis or Thick Description?
Comparing Music, Comparing Musicology
The Destiny of Diaspora in Ethnomusicology
Globalization and the Politics of World Music
Contesting Difference: A Critique of Africanist Ethnomusicology
What a Difference a Name Makes: Two Instances of African-American Popular Music
Music, Space, and Place: The Geography of Music
Music and Everyday Life
How? Processes, Practices, and Institutions of Music
Music, Culture, and Creativity
Musical Autonomy Revisited
Music as Performance
The Cultural Study of Musical Instruments
Music Education, Cultural Capital, and Social Group Identity
Music Technology, or Technologies of Music?
Music and Material Culture
Whose? Social Forces and Musical Belongings
Music and Social Categories
Music and Mediation: Toward a New Sociology of Music
Music and the Social
Locating the People: Music and the Popular
Music and the Market: The Economics of Music in the Modern World
Music, Sound, and Religion
Music, Race, and the Fields of Public Culture
Music, Gender, and Sexuality
Who? Musical subjectivities
What's Going On: Music, Psychology, and Ecological Theory
Musical Materials, Perception, and Listening
Music, Experience, and the Anthropology of Emotion
Towards a Political Aesthetics of Music
Music and the Subject: Three Takes
Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin de Si�cle
Subjectivity Unbound: Music, Language, Culture

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