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| General Introduction: studying contemporary choreography | |
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| Conceptual and Philosophical Concerns | |
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| Knowing through Dance-making: Choreography, practical knowledge and practice-as-research | |
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| Expert-intuitive Processing and the Logics of Production: struggles in (the wording of) creative decision-making in 'dance' | |
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| Visible Thought: Choreographic cognition in creating, performing, and watching contemporary dance | |
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| 'Throwing Like a Girl'?: Gender in a transnational world | |
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| Higher Educational Settings | |
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| Facilitating Choreographic Process | |
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| Creativity in Dance Education through use of interactive technology resources | |
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| Evaluation - nurturing or stifling a choreographic learning process? | |
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| Supporting Students' Reflection in Choreography Classes | |
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| Dance Analysis in a Postmodern Age: integrating theory and practice | |
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| Choreographer as Researcher: issues and concepts in postgraduate study | |
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| Communities | |
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| Too Many Cooks? A framework for dance making and devising | |
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| Doing Time: A discussion of interventionist and celebratory approaches to dance making for undergraduates | |
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| Dancing around Exclusion: an examination of the issues of social inclusion within choreographic practice in the community | |
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| Sharing the Stage: a case study on Tij, a choreography for Dutch professional and amateur dancers | |
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| Choreography Coaching in the Field of Amateur Dance in the Netherlands | |
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| Intercultural contexts | |
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| Principles of African Choreography: some perspectives from Ghana | |
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| An Intercultural Encounter: the Dance Fusion project | |
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| Beyond the Intercultural to the Accented Body: An Australian perspective | |
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| The Confluence of Multicultural and Intercultural Discourses in Malaysian Contemporary Dance | |
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| Changing Aesthetics | |
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| In Search of Asian Modernity: Cloud Gate Dance Theatre's Body Aesthetics in the Era of Globalisation | |
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| Seeing the body move: Choreographic investigations of kinaesthetics at the end of the twentieth century | |
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| Choreographic Environments: new technologies and movement-related artistic work | |
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| Performing Installations: towards an understanding of choreography and performativity in interactive installations | |
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| Relationships with other disciplines | |
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| Reinforcement for the choreographer: the dance dramaturge as ally | |
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| Experiencing Space: The implications for site-specific dance performance | |
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| Dancing with Sprites and Robots: New approaches to collaboration between dance and digital technologies | |
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| Augmenting Choreography: Insights and inspiration from science | |
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