| |
| |
List of illustrations | |
| |
| |
Foreword | |
| |
| |
| |
The Beginnings of English: Old and Middle English 600-1485 | |
| |
| |
Contexts and conditions Personal and religious voices Language note: The earliest figurative language Long poems French influence and English affirmation Language and dialect Language note: The expanding lexicon | |
| |
| |
Chaucer and Middle English From anonymity to individualism Women''s voices Fantasy Travel Geoffrey Chaucer Langland, Gower and Lydgate | |
| |
| |
The Scottish Chaucerians Medieval drama Malory and Skelton Language note: Prose and sentence structure | |
| |
| |
The Renaissance: 1485-1660 | |
| |
| |
Contexts and conditions Language note: Expanding world: expanding lexicon | |
| |
| |
Renaissance poetry Language note: Puttenham''s Social Poetics Drama before Shakespeare | |
| |
| |
From the street to the building - the Elizabethan theatre Language note | |
| |
| |
The further expanding lexicon Renaissance prose Translations of the Bible Language note | |
| |
| |
The Language of the Bible Shakespeare | |
| |
| |
The plays The sonnets Language note: Shakespeare''s language | |
| |
| |
The Metaphysical poets | |
| |
| |
The Cavalier poets Jacobean drama - to the closure of the theatres, 1642 | |
| |
| |
| |
Other dramatists of the early seventeenth century City comedy | |
| |
| |
The end of the Renaissance theatre | |
| |
| |
Restoration To Romanticism: 1660-1789 | |
| |
| |
Contexts and conditions Early Milton Restoration drama | |
| |
| |
| |
Journalism Scottish Enlightenment, diarists and Gibbon The novel Criticism Language note | |
| |
| |
The expanding lexicon - standards of English'' | |
| |
| |
| |
Drama after 1737 Poetry after Pope Language note: Metrical patterns Melancholy, madness and nature | |
| |
| |
The Gothic and the sublime Language note: Point of view | |
| |
| |
The Romantic Period: 1789 - 1832 | |
| |
| |
Contexts and conditions Language note | |
| |
| |
| |
Reading Wordsworth Language note: The ''real'' language of men | |
| |
| |
| |
The novel in the Romantic period Jane Austen Language note | |
| |
| |
| |
The Scottish regional novel | |
| |
| |
The Nineteenth Century | |
| |
| |
Contexts and conditions Dickens Language note: Reading Dickens Victorian thought and Victorian novels | |
| |
| |
The Brontes and Eliot Other lady novelists Late Victorian novels Wilde and Aestheticism Hardy and James Language note: Dialect and character in Hardy Victorian poetry Language note | |
| |
| |
The developing uses of dialects in literature Victorian drama Language note: Reading the language of theatre and drama | |
| |
| |
The Twentieth Century: 1900-45 | |
| |
| |
Contexts and conditions Modern poetry to 1945 Language note: Reading Hardy Later Hardy Language note | |
| |
| |
The fragmenting lexicon Georgian and Imagist poetry First World War poetry Irish writing | |
| |
| |
| |
Language note: Modernist poetic syntax Popular poets Thirties poets Language note | |
| |
| |
Reading Auden Scottish and Welsh poetry Modern Drama to 1945 Irish drama | |
| |
| |
| |
Literature about language The novel to 1945 Subjectivity: the popular tradition | |
| |
| |
The Kailyard School Provincial novels Social concerns Light novels Genre fiction Modernism and the novel Forster | |
| |
| |
Conrad and Ford Language note: Metaphor and metonymy | |
| |
| |
| |
Irish English, nationality and literature Novels of the First World Wa | |
| |
| |
| |
Ireland Early Greene and Waugh Thirties novelists | |
| |
| |
The Twentieth Century: 1945 To The Present | |
| |
| |
Contexts and conditions Drama since 1945 Language note | |
| |
| |
Drama and everyday language Poetry of the Second World War Poetry since 1945 | |
| |
| |
| |
The novel since 1945 Writing for younger children - so-called children''s literature | |
| |
| |
Later Greene Post-war Waugh Orwell Dialogue novels Language note: Discourse, titles and dialogism | |
| |
| |
The mid-century novel Amis, father and son Language note: City slang Language note | |
| |
| |
Common speech Golding | |
| |
| |
| |
The campus novel Excellent women Muriel Spark and o | |