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Introduction | |
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Critical developments | |
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Introduction | |
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Black history, oral history and genealogy | |
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The voice of the past: oral history | |
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Oral history and Hard Times: a review essay | |
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Movement without aim: methodological and theoretical problems in oral history | |
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Work ideology and consensus under Italian fascism | |
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What makes oral history different | |
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Popular memory: theory, politics, method | |
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Telling our stories: feminist debates and the use of oral history | |
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Interviewing | |
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Introduction | |
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On oral history interviewing | |
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Ways of listening | |
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Life history interviews with people with learning disabilities | |
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Family life histories: a collaborative venture | |
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Interviewing the women of Phokeng | |
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Learning to listen: interview techniques and analyses | |
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Marking absences: Holocaust testimony and history | |
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Advocacy and empowerment | |
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Introduction | |
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Oral history as a social movement: reminiscence and older people | |
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Reaching across the generations: the Foxfire experience | |
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Culture and disability: the role of oral history | |
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Central American refugee testimonies and performed life histories in the Sanctuary movement | |
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The Gulag in memory | |
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The Sahel Oral History Project | |
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Leprosy in India: the intervention of oral history | |
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Interpreting memories | |
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Introduction | |
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Structure and validity in oral evidence | |
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What is social in oral history? | |
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Anzac memories: putting popular memory theory into practice in Australia | |
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Theory, method and oral history | |
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'That's not what I said': interpretive conflict in oral narrative research | |
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Evidence, empathy and ethics: lessons from oral histories of the Klan | |
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Telling tales: oral history and the construction of pre-Stonewall lesbian history | |
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Making histories | |
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Introduction | |
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Archival science and oral sources | |
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The future of oral history and moving images | |
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Perils of the transcript | |
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Reminiscence as literacy: intersections and creative moments | |
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'What the wind won't take away': the genesis of Nisa - The Life and Words of a! Kung Woman | |
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Presenting voices in different media: print, radio and CD-ROM | |
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Angledool stories: Aboriginal history in hypermedia | |
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Children becoming historians: an oral history project in a primary school | |
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The exhibition that speaks for itself: oral history and museums | |
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Out of the archives and onto the stage | |
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Select bibliography | |
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Useful contacts | |
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Index | |