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Preface | |
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Acknowledgments | |
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Phonetic Equivalents | |
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Map: Europe and Eastern America, Ca. 1866 | |
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Revolution and Romanticism in Europe and America | |
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Time Line | |
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Confessions (French) | |
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from Part I | |
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Faust (German) | |
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Prologue in Heaven | |
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The First Part of the Tragedy | |
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From Songs of Innocence (English) | |
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Introduction | |
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The Lamb | |
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The Little Black Boy | |
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Holy Thursday | |
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The Chimney Sweeper | |
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From Songs of Experience (English) | |
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Introduction | |
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Earth's Answer | |
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The Tyger | |
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The Sick Rose | |
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London | |
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The Chimney Sweeper | |
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Mock On, Mock On, Voltaire, Rousseau | |
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And Did Those Feet | |
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[Poems] (English) | |
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Lines Composed a Few Miles Above Tintern Abbey | |
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Ode on Intimations of Immortality | |
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Composed upon Westminster Bridge, September 3, 1802 | |
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The World Is Too Much with Us | |
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From The Grasmere Journals (English) | |
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[Poems] (English) | |
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Kubla Khan | |
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Dejection: An Ode | |
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[Poems] (English) | |
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Stanzas Written in Dejection--December 1818, Near Naples | |
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England in 1819 | |
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Ode to the West Wind | |
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A Defence of Poetry | |
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[Conclusion] | |
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[Poems] (English) | |
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On First Looking into Chapman's Homer | |
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Bright Star | |
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La Belle Dame sans Merci | |
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Ode on a Grecian Urn | |
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Ode to a Nightingale | |
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Ode on Melancholy | |
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To Autumn | |
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Continental Romantic Lyrics: a Selection | |
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The Half of Life (German) | |
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Hyperion's Song of Fate (German) | |
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Brevity (German) | |
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To the Fates (German) | |
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Yearning for Death (German) | |
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From the Seashore (Russian) | |
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The Lake (French) | |
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[A pine is standing lonely] (German) | |
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[A young man loves a maiden] (German) | |
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[Ah, death is like the long cool night] (German) | |
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The Silesian Weavers (German) | |
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The Infinite (Italian) | |
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To Himself (Italian) | |
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To Sylvia (Italian) | |
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The Village Saturday (Italian) | |
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Et nox facta est (French) | |
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[I know a strange, gigantic hymn] (Spanish) | |
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[Nameless spirit] (Spanish) | |
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[As I composed this little book] (Spanish) | |
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[Mild was the air] (Spanish) | |
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[A glowworm scatters flashes through the moss] (Spanish) | |
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[The feet of Spring are on the stair] (Spanish) | |
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[Candescent lies the air] (Spanish) | |
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[The ailing woman felt her forces ebb] (Spanish) | |
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The Queen of Spades (Russian) | |
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[Poems] (English) | |
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Ulysses | |
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Tithonus | |
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From In Memoriam A. H. H. | |
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[Poems] (English) | |
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My Last Duchess | |
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The Bishop Orders His Tomb at Saint Praxed's Church | |
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"Childe Roland to the Dark Tower Came" | |
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Narrative of the Life of Frederick Douglass, An American Slave (English) | |
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[Poems] (English) | |
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From Song of Myself | |
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Out of the Cradle Endlessly Rocking | |
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Billy Budd, Sailor (English) | |
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[Poems] (English) | |
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216 [Safe in their Alabaster Chambers--] | |
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258 [There's a certain Slant of light] | |
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303 [The Soul selects her own Society--] | |
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328 [A Bird came down the Walk--] | |
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341 [After great pain, a formal feeling comes--] | |
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435 [Much Madness is divinest Sense--] | |
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449 [I died for Beauty--but was scarce] | |
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465 [I heard a Fly buzz--when I died--] | |
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519 ['Twas warm--at first--like Us--] | |
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585 [I like to see it lap the Miles--] | |
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632 [The Brain--is wider than the Sky--] | |
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657 [I dwell in Possibility--] | |
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712 [Because I could not stop for Death--] | |
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754 [My Life had stood--a Loaded Gun--] | |
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1084 [At Half past Three, a single Bird] | |
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1129 [Tell all the Truth but tell it slant--] | |
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1207 [He preached upon "Breadth" till it argued him narrow--] | |
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1564 [Pass to thy Rendezvous of Light] | |
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1593 [There came a Wind like a Bugle--] | |
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Map: India, Ca. 1857 | |
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Urdu Lyric Poetry in North India | |
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Time Line | |
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[Ghazals] (Urdu) | |
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V [Waterbead ecstasy; dying in a stream] | |
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VIII [Here in the splendid court the great verses flow] | |
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X [Why didn't I shrink in the blaze of that face?] | |
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XII [I'm neither the loosening of song nor the close-drawn tent of music] | |
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XIII [No more those meetings, partings, tears!] | |
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XIV [Wings are like dust, weightless; the wind may steal them] | |
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XIX [With every step I took, my goal seemed farther away] | |
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XXI [Dew on a flower--tears, or something] | |
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Map: Europe, Ca. 1870 | |
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Realism, Naturalism, and Symbolism in Europe | |
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Time Line | |
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Madame Bovary (French) | |
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Notes from Underground (Russian) | |
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From The Flowers of Evil (French) | |
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To the Reader | |
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Correspondences | |
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Correspondances (original French) | |
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Her Hair | |
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A Carcass | |
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Invitation to the Voyage | |
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Song of Autumn I | |
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Spleen LXXVIII | |
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Spleen LXXIX | |
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Spleen LXXXI | |
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The Voyage | |
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From Paris Spleen (French) | |
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One o'Clock in the Morning | |
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Crowds | |
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Windows | |
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Anywhere out of the World | |
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[Poems] (French) | |
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The Afternoon of a Faun | |
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The Tomb of Edgar Poe | |
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Saint | |
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[The virginal, vibrant, and beautiful dawn] | |
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[Poems] (French) | |
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Autumn Song | |
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Moonlight | |
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[The white moonglow] | |
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Wooden Horses | |
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The Art of Poetry | |
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[Poems] (French) | |
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The Drunken Boat | |
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From A Season in Hell | |
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Night of Hell | |
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From The Illuminations (French) | |
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The Bridges | |
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Barbarian | |
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The Death of Ivan Ilyich (Russian) | |
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Hedda Gabler (Norwegian) | |
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The Lady with the Dog (Russian) | |
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The Cherry Orchard (Russian) | |
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A Note on Translation | |
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Permissions Acknowledgments | |
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Index | |