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| List of Illustrations | |
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| Preface | |
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| The Text of Strange Case of Dr. Jekyll and Mr. Hyde | |
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| Backgrounds and Contexts | |
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| Composition and Production | |
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| [Summary of Composition and Early Reception] | |
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| Selected Letters | |
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| To Sidney Colvin, Late September/early October 1885 | |
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| To his Wife, c. October 20, 1885 | |
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| To Andrew Lang, Early December 1885 | |
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| To Katharine de Mattos, January 1, 1886 | |
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| To Will H. Low, January 2, 1886 | |
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| To F. W. H. Myers, c. February 23, 1886 | |
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| To J. R. Vernon, February 25, 1886 | |
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| To Edward Purcell, February 27, 1886 | |
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| To F. W. H. Myers, March 1, 1886 | |
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| To John Addington Symonds, Early March 1886 | |
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| To Thomas Russell Sullivan, c. January 27, 1887 | |
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| To John Paul Bocock, c. Mid-November 1887 | |
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| The Dream Origin of the Tale | |
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| Reception | |
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| Mr. Stevenson's Originality of Treatment | |
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| A Mere Bit of Catch-Penny Sensationalism | |
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| The Place of Honour | |
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| Not Merely Strange, but Impossible | |
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| His Very Original Genius | |
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| Letter to Robert Louis Stevenson, March 3, 1886 | |
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| The Individualizing Influence of Modern Democracy | |
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| Letter to Robert Bridges, October 28, 1886 | |
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| The Art of the Presentation | |
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| The Rev Dr. Nicholson on "Dr. Jekyll and Mr. Hyde" | |
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| "Markheim" and the Victorian Market for Sensation Fiction | |
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| "Markheim" | |
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| How I Came to Be Such a Student of Our Penny Press | |
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| Literary Contexts: Doubles, Devils, and Monsters | |
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| The Modern Double | |
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| Stevenson's Scottish Devil Tales | |
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| An Introduction to Gothic Monstrosity | |
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| Scientific Contexts: Conception of the Divided Self | |
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| Post-Darwinist Theories of the Ape Within | |
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| Multiplex Personality | |
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| Abject Slaves to the Narcotic | |
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| This Aberrant Inclination in Myself | |
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| Sociohistorical Contexts: Political Disunity and Moral Conformity | |
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| London in the 1880s | |
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| Hypocrisy | |
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| Performance Adaptations | |
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| The Stage Premiere of Dr. Jekyll and Mr. Hyde | |
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| Themes and Variations | |
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| Dr. Jekyll and Mr. Hyde (Paramount, 1931) | |
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| A Checklist of Major Performance Adaptations | |
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| Criticism | |
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| The Real Stab of the Story | |
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| A Phenomenon of Style | |
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| Instabilities of Meaning, Morality, and Narration | |
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| An Unconscious Allegory about the Masses and Mass Literacy | |
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| Sex, Secrecy and Self-Alienation in Strange Case of Dr. Jekyll and Mr. Hyde | |
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| Robert Louis Stevenson: A Chronology | |
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| Selected Bibliography | |