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| List of Illustrations | |
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| Preface | |
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| Introduction | |
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| America's Classical Music | |
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| Precursors | |
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| Ragtime | |
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| Introduction | |
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| A Southern Rag | |
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| Style Characteristics | |
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| Piano Rags | |
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| Scott Joplin | |
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| James Scott | |
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| Joseph F. Lamb | |
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| Ragtime Jazz | |
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| The Blues | |
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| Introduction | |
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| Blues Form | |
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| Country Blues | |
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| "Papa" Charlie Jackson | |
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| Blind Lemon Jefferson | |
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| Huddie Ledbetter | |
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| Robert Johnson | |
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| The Classic Blues | |
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| Gertrude "Ma" Rainey | |
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| W. C. Handy | |
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| Bessie Smith | |
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| Ida Cox | |
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| Bertha "Chippie" Hill | |
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| Mamie Smith | |
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| Louis Armstrong | |
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| Ethel Waters | |
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| Jimmy Rushing | |
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| Urban Blues | |
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| Instrumental Blues | |
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| Joe "King" Oliver | |
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| Jazz In Its Infancy | |
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| Historical Overview: From the Beginning to World War I | |
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| Jazz--A Musical Definition | |
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| The East | |
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| The Midwest | |
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| The Southwest | |
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| The South | |
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| New Orleans | |
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| The Jazz Combo | |
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| Early Jazz Musicians and Their Music | |
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| Ragtime Jazz Bands | |
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| Thoughts on the History of Jazz | |
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| The Jazz Age: From world war I through the roaring twenties | |
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| Jazz and Morality | |
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| Bunk Johnson, Papa Celestin, and Sidney Bechet | |
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| The New Orleans Sound | |
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| King Oliver, Kid Ory, and Friends | |
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| The ODJB | |
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| Jelly Roll Morton | |
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| The Jazz Explosion | |
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| The New York School | |
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| James P. Johnson | |
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| Louis Armstrong | |
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| Jelly Roll Morton | |
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| Earl "Fatha" Hines | |
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| The Jazz Community | |
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| Women in Jazz | |
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| Bix Beiderbecke | |
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| Boogie-Woogie | |
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| Chicago Jazz | |
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| The Swing Era | |
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| The Great Depression, Jazz, and Popular Music | |
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| The Emergence of Substyles | |
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| The Arranger--Don Redman | |
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| The Composer--Duke Ellington | |
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| Early Swing Bands. Kansas City Swing | |
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| The "King of Swing"--Benny Goodman | |
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| Musical Characteristics | |
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| Vocalists | |
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| Art Tatum | |
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| Gene Krupa | |
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| Charlie Christian | |
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| Coleman Hawkins | |
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| The Basie Band | |
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| Lester Young | |
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| Lionel Hampton | |
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| Territory Bands | |
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| The Duke Ellington Orchestra | |
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| Glenn Miller | |
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| World War II | |
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| Women Instrumentalists | |
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| Post-War Swing | |
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| Modern Jazz: The bebop revolution | |
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| Origins of a New Style | |
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| Musical Characteristics | |
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| The Bird--Charlie Parker | |
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| "Dizzy"--John Birks Gillespie | |
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| The Music | |
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| Three Aspects of the Repertoire | |
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| More about Bird | |
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| The Pianists--Tadd Dameron, Bud Powell, and Thelonious Monk | |
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| More about Mary Lou Williams | |
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| Big Bands | |
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| Looking Back | |
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| A Proliferation of Styles: From the '40S Through the '50S | |
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| Overview | |
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| Cool Jazz | |
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| Third Stream | |
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| West Coast Jazz | |
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| Funky and Hard Bop | |
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| Something Old and Something New | |
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| Sonny Rollins | |
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| Something Borrowed | |
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| Modal Jazz--Miles Davis and Kind of Blue | |
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| Social Cause and Musical Effect | |
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| Summing Up the '50s | |
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| Social and Musical Revolution: The 1960S | |
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| Introduction | |
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| Free Jazz--Ornette Coleman | |
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| Musical Reactions | |
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| A Central Figure--John Coltrane | |
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| Out in Front--Miles Davis in the '60s and '70s | |
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| The New Groups | |
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| The AACM | |
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| One More Time | |
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| Confusion and Fusion: From the '70S to the '80S | |
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| Introduction | |
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| Ornette Coleman | |
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| Miles Davis Again | |
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| Cecil Taylor | |
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| The Keyboard Players--Bill Evans, Herbie Hancock, Chick Corea, Keith Jarrett, Joe Zawinul | |
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| Weather Report | |
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| The Mahavishnu Orchestra | |
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| The AACM and the Art Ensemble of Chicago | |
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| Rehearsal and Recording Bands | |
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| The Decade in Review | |
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| A Plurality of Styles: Through the '80S and Into the '90S | |
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| Introduction | |
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| Fusion and Miles Davis | |
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| Neoclassicism and Modern Bebop | |
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| Wynton Marsalis | |
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| Other Neoclassicists | |
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| Free Jazz of the '80s--George Lewis | |
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| Jazz Composition in the 1980s--Anthony Davis | |
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| Postmodernism and Jazz--Jane Ira Bloom | |
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| New Sounds, New Wave, New Age, and Good Old-Fashioned Jazz | |
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| Ray Anderson | |
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| Today and Tomorrow | |
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| Appendices | |
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| Listening Guides | |
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| I Believe I'll Dust My Broom | |
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| Cornet Chop Suey | |
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| Ostrich Walk | |
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| Tiger Rag | |
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| Clarinet Lament (Barney's Concerto) | |
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| Tickle-Toe | |
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| Mission to Moscow | |
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| Groovin' High | |
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| Marshmallow | |
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| Confirmation | |
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| I Can't Believe that You're in Love with Me | |
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| The Preacher | |
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| All About Rosie | |
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| Dr. Jekyll | |
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| Giant Steps | |
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| Change of the Century | |
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| Bemsha Swing | |
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| Circle | |
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| Tears | |
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| Delfeayo's Dilemma | |
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| Transcriptions | |
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| S.O.L. Blues | |
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| Struttin' with Some Barbecue | |
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| West End Blues | |
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| Body and Soul | |
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| Lester Leaps In | |
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| I Can't Get Started | |
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| Embracebale You | |
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| Little Benny | |
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| Parker's Mood | |
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| Giant Steps | |
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| Blue Train | |
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| So What | |
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| Synoptic Table | |
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| Annotated Bibliography | |
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| General Bibliography | |
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| Dictionaries and Encyclopedias | |
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| Histories and Chronologies | |
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| Bibliographies | |
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| Discographies | |
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| Indices of Music | |
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| Periodicals | |
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| Indices to Periodical Literature | |
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| Jazz Archives | |
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| African Music | |
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| Music of the U.S. in the Late Nineteenth Century | |
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| Ragtime | |
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| The Blues | |
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| Early Jazz | |
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| Swing | |
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| Modern Jazz | |
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| Women in Jazz | |
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| Miscellaneous--Literature, Philosophy, Interviews, Rock, Gospel, Recordings, etc. | |
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| Selected Discography | |
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| Indices to the Record Collections | |
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| Integrated File of the Norton Anthology of Jazz, the New World Records Anthology of American Music, and the Smithsonian Collections of Classic Jazz (Alphabetical Order and Locator Numbers) | |
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| Norton Anthology of Jazz | |
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| Smithsonian Collections of Classic Jazz (Alphabetical Order and Locator Numbers) | |
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| Smithsonian Collections of Classic Jazz (Series Order and Locator Numbers) | |
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| Integrated File of the Norton Anthology of Jazz, Smithsonian Collections of Classic Jazz, and the New World Records Anthology of American Music (Chronological Order) | |
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| Glossary | |
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| Copyright Acknowledgments | |
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| Index | |