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| Acknowledgments | |
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| Prelude to the Second Edition | |
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| Melody | |
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| Introduction | |
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| Tonality 1: The Major Mode | |
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| Intervals and the Major Scale | |
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| Tonality 2: The Minor Mode | |
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| Tonality 3: Other Modes | |
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| Melodic Elaboration 1 | |
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| Melodic Structure: An Introduction | |
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| The Musical Phrase | |
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| Rhythm, Meter, Tempo | |
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| Writing Simple Melodies | |
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| Note-Against-Note Consonance | |
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| Introduction | |
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| Some Practical Considerations | |
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| Two-Part Counterpoint | |
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| Three-Part Counterpoint | |
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| Four-Part Counterpoint | |
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| Diatonic Dissonance | |
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| Introduction | |
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| Passing and Neighbor Motion: Two Parts | |
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| Suspensions: Two Parts | |
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| Diatonic Dissonance: Three Parts | |
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| More on Diatonic Dissonance | |
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| Writing a Simple Bicinium | |
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| Basic Harmony | |
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| Introduction | |
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| More about Triads | |
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| Chords in Motion | |
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| Cadences | |
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| Grouping the Chords | |
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| A Few Chromatic Notes | |
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| Harmonizing Simple Melodies | |
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| Figured Bass | |
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| Study of a Piece: Isaac's Innsbruck 2 | |
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| Diatonic Chord Functions: A Summary | |
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| A Look Ahead | |
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| Extensions of Melody, Counterpoint, and Harmony | |
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| Introduction | |
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| Melodic Elaboration 2 | |
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| Two-Part Counterpoint with Elaborated Melodies | |
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| The Extension of Lines in Musical Space | |
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| Continuous Variations 1 | |
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| Continuous Variations 2 | |
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| Extensions of Chords in Musical Time and Space | |
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| Some Free-Form Pieces | |
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| Binary form | |
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| Introduction | |
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| Motion away from the Tonic | |
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| Modulation to a Cadence | |
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| Binary Form | |
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| More Modulations in Binary Pieces | |
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| Melodic Design in Binary Form | |
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| Allemande from Bach's French Suite No. 3 30 | |
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| Further Studies in Harmony, Counterpoint, and form | |
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| Introduction | |
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| The Dominant 7th Chord | |
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| 6/4 Chords | |
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| Diatonic 7th Chords | |
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| Cadences 2 | |
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| A Repertory of Basic Polyphonic Motions | |
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| More Extensions of Tonic and Dominant Harmony | |
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| Secondary Tonics and Dominants | |
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| Another Look at Binary Form | |
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| A Look Back | |
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| Why Study Counterpoint? | |
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| Music and the Rules | |
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| Musicianship at the Keyboard | |
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| Introductory Exercises for Sight Singing | |
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| Studies in Melody Improvisation | |
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| Music Anthology | |
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| Et incarnatus est from the Mass Pange Lingua | |
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| Innsbruck, I Now Must Leave Thee | |
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| Chanson, Men All Are Such Great Lovers | |
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| Chanson, Happy I Dare Not Be | |
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| Bicinium, A Mighty Fortress Is Our God | |
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| Allemande for four instruments | |
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| Villanella, May She Rule in Every Season | |
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| Benedictus from the Mass Repleatur os meum laude | |
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| Veni Sancte Spiritus (excerpt) | |
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| Blessing Before the Meal | |
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| Benedictus | |
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| Chanson, Good Day, My Heart | |
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| Ballata, Love's Pursuit | |
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| There Is a Rose | |
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| Gaillarde | |
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| Two Sarabandes | |
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| Toccata from Fiori musicali | |
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| Psalm 78 | |
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| Organ Bicinium from Tabulatura Nova | |
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| Sarabande for brass instruments | |
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| Chaconne for organ (excerpt) | |
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| Organ Toccata in E minor | |
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| Trio Sonata Op. 4, No. 2, Preludio | |
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| Duet from Come, Ye Sons of Art | |
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| Prelude No. 3 from L'Art de toucher le clavecin | |
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| La Lugubre for harpsichord | |
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| Prelude in C from Partita for Clavier | |
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| Prelude in E for organ from Ariadne musicale | |
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| Sarabande and Double | |
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| Gavotte and Variations for harpsichord | |
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| Ode, To Doris | |
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| Ode, To Sleep | |
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| Ode, Plain Cooking | |
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| Allemande from French Suite No. 3 | |
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| Gigue from Violin Sonata No. 6 | |
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| Air from Suite No. 3 for orchestra | |
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| Prelude No. 1 from The Well-Tempered Clavier, Book I | |
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| Passecaille from Suite No. 7 | |
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| Courante from Suite No. 4 | |
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| "See, the conquering hero comes" from Judas Maccabeus | |
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| Three English recitatives | |
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| Sonata in E | |
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| Sonata in F, second movement | |
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| Air from Orpheus | |
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| Bourree from Dance Pieces | |
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| Three Piano Pieces | |
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| Piano Sonata in A, K.331, theme | |
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| Three Contradanses for orchestra | |
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| When Our Dear Child Can Find No Rest | |
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| Three Waltzes and an Ecossaise | |
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| Gentle Annie | |
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| Grandfather's Clock | |
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| How Darkly the Water FLows for voice and piano | |
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| How Darkly the Water Flows for chorus | |
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| Four Rumanian Dances for piano | |
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| March from Renard | |
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| A Swan from Six Chansons | |
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| "Story of Our Town" from Our Town Suite | |
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| Symphony for Strings, second movement (excerpt) | |
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| Old Devil Moon from Finian's Rainbow | |
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| I Feel Fine | |
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| Two-part organum (excerpt) | |
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| Conductus | |
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| Conductus (opening section) | |
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| Motet | |
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| Ballata | |
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| Magnificat (excerpt) | |
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| Appendices | |
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| Music Notation | |
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| Continuo Music | |
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| Cantus Firmi | |
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| Glossary | |
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| Worksheets | |
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| Indices | |
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| Subjects and Proper Names | |
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| Music | |