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| Introduction | |
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| The Texts of the Plays | |
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| The Pot of Broth | |
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| At the Hawk's Well | |
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| Purgatory | |
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| Spreading the News | |
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| The Rising of the Moon | |
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| Riders to the Sea | |
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| The Playboy of the Western World | |
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| John Bull's Other Island | |
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| Juno and the Paycock | |
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| Krapp's Last Tape | |
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| Translations | |
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| The Weir | |
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| By the Bog of Cats | |
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| Backgrounds and Criticism | |
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| The Irish Dramatic Revival | |
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| Our Irish Theatre | |
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| What Should Be the Subjects of National Drama? | |
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| An Irish National Theatre | |
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| An Irish National Theatre | |
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| [The Collaborations of Yeats and Lady Gregory] | |
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| On W. B. Yeats | |
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| An Introduction for My Plays | |
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| Strangers in the House | |
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| Cathleen ni Houlihan Writes Back | |
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| [At The Hawk's Well] | |
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| [Purgatory] | |
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| On Lady Gregory | |
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| Spreading the News | |
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| A Note on Spreading the News | |
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| The Rising of the Moon | |
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| [Spreading the News] | |
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| Image-Maker for Ireland: Augusta | |
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| On J. M. Synge | |
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| Preface to the Playboy of the Western World | |
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| Preface to the First Edition of the Well of the Saints | |
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| [Journal 1907] | |
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| The Controversy over the Playboy of the Western World | |
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| The First Playboy | |
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| [The Playboy of the Western World] | |
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| On Bernard Shaw | |
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| Preface far Politicians | |
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| The Rejection of Shaw's Irish Play: John Bull's Other Island | |
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| Irish Romance | |
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| John Bull's Other Islander-Bernard Shaw | |
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| On Sean O'Casey | |
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| [Journal 1923-24] | |
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| [Journal 1923-24] | |
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| [Juno and the Paycock] | |
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| [Juno and the Paycock] | |
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| Sensationalizing Sacrifice | |
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| On Samuel Beckett | |
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| Correspondence of Samuel Beckett and Alan Schneider | |
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| [Krapp's Last Tape] | |
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| The Irish Beckett | |
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| Beckett and Yeats: Among the Dreaming Shades | |
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| Chronicles of the Human Heart | |
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| On Brian Friel | |
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| Field Day Theatre Company | |
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| Program Notes for Translations | |
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| Making a Reply to the Criticisms of Translations | |
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| [Translations: A Night at the Theatre] | |
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| [Review of Translations] | |
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| Translations: On the Page and On the Stage | |
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| On Conor McPherson | |
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| [The Weir] | |
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| Secular Morality in the Plays of Conor McPherson | |
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| The Structural Elegance of Conor McPherson's The Weir | |
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| Pastoral Exhibits: Narrating Authenticities in Conor McPherson's The Weir | |
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| On Marina Carr | |
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| [Introduction to Plays] | |
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| [Interview: On Playing in By the Bog of Cats] | |
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| A Cautionary Tale: Marina Carr's By the Bog of Cats | |
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| Grotesque and Carnivalesque Elements in By the Bog of Cats | |
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| On Theater in Ireland | |
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| [Postcolonialism and Irish Theater] | |
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| Translating Women into Irish Theatre History | |
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| The Abbey Theatre and the Irish State | |
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| Pageants, Parades, and Performance Culture | |
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| Chronology | |
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| Selected Bibliography | |