| |
| |
List of Illustrations | |
| |
| |
Preface | |
| |
| |
| |
Pretext | |
| |
| |
| |
Introduction as of November 1931 | |
| |
| |
| |
Introduction as of May 1932 | |
| |
| |
| |
Prunieres | |
| |
| |
| |
Hale's editorial, Mr. Slonimsky in Paris | |
| |
| |
| |
Henderson | |
| |
| |
| |
Europeanism, review of The Celestial Country | |
| |
| |
| |
Scrapbook | |
| |
| |
| |
Introduction | |
| |
| |
| |
Bellamann's article, earlier songs | |
| |
| |
| |
Earlier pieces, Thanksgiving Prelude and Postlude | |
| |
| |
| |
College marches, etc., ear stretching | |
| |
| |
| |
Piano-drum-playing, wide-interval lines | |
| |
| |
| |
Father | |
| |
| |
| |
Parker, "fundamental laws" | |
| |
| |
| |
First Symphony | |
| |
| |
| |
Second Symphony, spirituals and gospel hymns | |
| |
| |
| |
Third Symphony | |
| |
| |
| |
Set for Theater or Chamber Orchestra | |
| |
| |
| |
Other sets | |
| |
| |
| |
Take-offs, etc. | |
| |
| |
| |
Fourth Symphony | |
| |
| |
| |
First Violin Sonata [called the Pre-First] | |
| |
| |
| |
Second Violin Sonata (called the First) | |
| |
| |
| |
Third Violin Sonata (called the Second) | |
| |
| |
| |
Fourth Violin Sonata (called the Third) | |
| |
| |
| |
Fifth Violin Sonata (called the Fourth) | |
| |
| |
| |
Second String Quartet [called the Pre-Second] | |
| |
| |
| |
A better Second String Quartet | |
| |
| |
| |
First Piano Sonata | |
| |
| |
| |
Men of Literature Overtures, labels | |
| |
| |
| |
Second Piano Sonata: "Concord, Mass., 1840-60" | |
| |
| |
| |
First Orchestral Set: "Three Places in New England" | |
| |
| |
| |
Halloween, "workmanship" | |
| |
| |
| |
Second Orchestral Set | |
| |
| |
| |
Holidays Symphony, Thanksgiving | |
| |
| |
| |
Washington's Birthday, In re con moto et al | |
| |
| |
| |
Decoration Day | |
| |
| |
| |
The Fourth of July, The General Slocum | |
| |
| |
| |
A Universe Symphony | |
| |
| |
| |
Quarter-tone and microtone systems | |
| |
| |
| |
Three Quarter-Tone Pieces for Two Pianos | |
| |
| |
| |
Later music | |
| |
| |
| |
Memories | |
| |
| |
| |
Introduction | |
| |
| |
| |
My father and my wife | |
| |
| |
| |
Parker | |
| |
| |
| |
Griggs | |
| |
| |
| |
Talmadge | |
| |
| |
| |
Soft-ears | |
| |
| |
| |
Rhythm, combining different rhythms | |
| |
| |
| |
Being "good" and being "mean" | |
| |
| |
| |
Songs without voice | |
| |
| |
| |
Church congregations and church music | |
| |
| |
| |
Music and business | |
| |
| |
| |
Gospel hymns | |
| |
| |
| |
Emasculating America for money | |
| |
| |
| |
Concert-going and not-going | |
| |
| |
| |
Words of one syllable | |
| |
| |
Appendices | |
| |
| |
| |
Extant leaves of the Memos, concordance with the Cowell book | |
| |
| |
| |
Ives's earlier Lists of Works (1929-35) | |
| |
| |
| |
Ives's later Lists of Works (1937-50) | |
| |
| |
| |
The 114 Songs and their reprints | |
| |
| |
| |
Ives's note on the 67th Psalm | |
| |
| |
| |
Ives's scholastic record (1894-98), Chadwick's visit to Parker's class (1898), and the footnote to Ich grolle nicht | |
| |
| |
| |
Memos about the Concord Sonata (1913-29) | |
| |
| |
| |
Questionnaires about the Concord Sonata (1935) | |
| |
| |
| |
George's Adventure and The Majority (1919) | |
| |
| |
| |
Broadway (1922) | |
| |
| |
| |
Letter to John Tasker Howard (1930) | |
| |
| |
| |
Ode to a Music Critic | |
| |
| |
| |
George Edward Ives (1845-1894) and his family | |
| |
| |
| |
Henry Anderson Brooks (c. 1855-1906?) | |
| |
| |
| |
John Cornelius Griggs (1865-1932) | |
| |
| |
| |
Joseph Hopkins Twichell (1838-1918) | |
| |
| |
| |
Poverty Flat, 1898-1908 | |
| |
| |
| |
Julian Southall Myrick (1880-1969) | |
| |
| |
| |
Harmony Twichell (1876-1969) | |
| |
| |
| |
Major John Andre by Lyman Brewster (1832-1904) | |
| |
| |
| |
The Red Patrol by Sir Gilbert Parker (1862-1932) | |
| |
| |
Chronological Index of Dates | |
| |
| |
Index of Ives's Music and Writings | |
| |
| |
Index of Names | |