| |
| |
Introduction | |
| |
| |
| |
From "Discordants" (1) | |
| |
| |
| |
The sentence | |
| |
| |
| |
The great canzon | |
| |
| |
| |
Inside the apple | |
| |
| |
| |
In memoriam Mae Noblitt | |
| |
| |
| |
A blessing in disguise | |
| |
| |
| |
This room | |
| |
| |
| |
It is dangerous to read newspapers | |
| |
| |
| |
Lullaby | |
| |
| |
| |
The more loving one | |
| |
| |
| |
L'invitation au voyage | |
| |
| |
| |
Enueg 1 | |
| |
| |
| |
Enueg 2 | |
| |
| |
| |
From "Eleven addresses to our Lord" (3, 4) | |
| |
| |
| |
At the fishhouses | |
| |
| |
| |
A cold spring | |
| |
| |
| |
Some dreams they forgot | |
| |
| |
| |
The chimney sweeper (from Songs of innocence) | |
| |
| |
| |
The garden of love (from Songs of experience) | |
| |
| |
| |
The crows | |
| |
| |
| |
Dark summer | |
| |
| |
| |
The blossom | |
| |
| |
| |
We real cool | |
| |
| |
| |
When you have forgotten Sunday : the love story | |
| |
| |
| |
Strong men | |
| |
| |
| |
Two in the Campagna | |
| |
| |
| |
Ay, ay, ay de la Grifa Negra | |
| |
| |
| |
Is there for honest poverty | |
| |
| |
| |
John Anderson my Jo | |
| |
| |
| |
Deathfugue | |
| |
| |
| |
The Negro's complaint | |
| |
| |
| |
Sunday morning apples | |
| |
| |
| |
For a poet | |
| |
| |
| |
Song in spite of myself | |
| |
| |
| |
I carry your heart with me ... | |
| |
| |
| |
Ample make this bed | |
| |
| |
| |
The grass so little has to do | |
| |
| |
| |
I'm nobody! Who are you? | |
| |
| |
| |
One need not be a chamber - to be haunted | |
| |
| |
| |
Surgeons must be very careful | |
| |
| |
| |
To fight aloud, is very brave | |
| |
| |
| |
An epithalamion | |
| |
| |
| |
The good-morrow | |
| |
| |
| |
The elephant | |
| |
| |
| |
With no experience in such matters | |
| |
| |
| |
Journey of the Magi | |
| |
| |
| |
Seen through a window | |
| |
| |
| |
After apple-picking | |
| |
| |
| |
Directive | |
| |
| |
| |
An old man's winter night | |
| |
| |
| |
"Out, out -" | |
| |
| |
| |
The oven bird | |
| |
| |
| |
The pasture | |
| |
| |
| |
Transcription of organ music | |
| |
| |
| |
The school children | |
| |
| |
| |
The holy longing | |
| |
| |
| |
Ode on the death of a favorite cat | |
| |
| |
| |
The idea of trust | |
| |
| |
| |
Woolworth's | |
| |
| |
| |
Population | |
| |
| |
| |
Afterwards | |
| |
| |
| |
The man he killed | |
| |
| |
| |
Privilege of being | |
| |
| |
| |
The night-blooming Cereus | |
| |
| |
| |
From "Clearances" (3) | |
| |
| |
| |
Prospects | |
| |
| |
| |
The collar | |
| |
| |
| |
The envoy of Mr. Cogito | |
| |
| |
| |
Upon Julia's clothes | |
| |
| |
| |
Carrion comfort | |
| |
| |
| |
God's grandeur | |
| |
| |
| |
To seem the stranger lies my lot ... | |
| |
| |
| |
When I was one-and-twenty (A Shropshire Lad 13) | |
| |
| |
| |
The dream keeper | |
| |
| |
| |
Minstrel man | |
| |
| |
| |
Motto | |
| |
| |
| |
Degrees of gray in Philipsburg | |
| |
| |
| |
My real dwelling | |
| |
| |
| |
The islands | |
| |
| |
| |
The woman at the Washington Zoo | |
| |
| |
| |
The eye | |
| |
| |
| |
The song of the banana man | |
| |
| |
| |
Inviting a friend to supper | |
| |
| |
| |
Lovel's song | |
| |
| |
| |
Men at forty | |
| |
| |
| |
From Endymion | |
| |
| |
| |
On a leander which Miss Reynolds, my kind friend, gave me | |
| |
| |
| |
To sleep | |
| |
| |
| |
Finding a long gray hair | |
| |
| |
| |
The boiling water | |
| |
| |
| |
Facing it | |
| |
| |
| |
Thinking of death and dogfood | |
| |
| |
| |
Hornworm : autumn lamentation | |
| |
| |
| |
The layers | |
| |
| |
| |
An Arundel tomb | |
| |
| |
| |
The explosion | |
| |
| |
| |
Caedmon | |
| |
| |
| |
They feed they lion | |
| |
| |
| |
What work is | |
| |
| |
| |
The flower-fed buffaloes | |
| |
| |
| |
Still night thoughts | |
| |
| |
| |
River-snow | |
| |
| |
| |
A psalm of life | |
| |
| |
| |
To Althea, from prison | |
| |
| |
| |
Memories of West Street and Lepke | |
| |
| |
| |
The old flame | |
| |
| |
| |
Portrait | |
| |
| |
| |
Ars poetica | |
| |
| |
| |
Language lesson 1976 | |
| |
| |
| |
The mad scene | |
| |
| |
| |
The shore | |
| |
| |
| |
On hearing a symphony of Beethoven | |
| |
| |
| |
Recuerdo | |
| |
| |
| |
You who wronged | |
| |
| |
| |
When I consider how my light is spent | |
| |
| |
| |
Piececitos | |
| |
| |
| |
A jellyfish | |
| |
| |
| |
What are years? | |
| |
| |
| |
The meeting of the waters | |
| |
| |
| |
The snow globe | |
| |
| |
| |
Absence of Joaquin | |
| |
| |
| |
He lived - childhood summers | |
| |
| |
| |
The day lady died | |
| |
| |
| |
Poem (Lana Turner has collapsed!) | |
| |
| |
| |
Poem (and tomorrow morning at 8 o'clock in Springfield, Massachusetts) | |
| |
| |
| |
The forms of love | |
| |
| |
| |
Psalm | |
| |
| |
| |
Dulce et decorum est | |
| |
| |
| |
At the new year | |
| |
| |
| |
Dawn | |
| |
| |
| |
Wind and water and stone | |
| |
| |
| |
When in the widening circle of rebirth | |
| |
| |
| |
Nick and the candlestick | |
| |
| |
| |
Alone | |
| |
| |
| |
Erat hora | |
| |
| |
| |
Meditatio | |
| |
| |
| |
The diamond cutters | |
| |
| |
| |
Phantasia for Elvira Shatayev | |
| |
| |
| |
Initiation | |
| |
| |
| |
Requiem for the death of a boy | |
| |
| |
| |
The sheaves | |
| |
| |
| |
The unforgiven | |
| |
| |
| |
I knew a woman | |
| |
| |
| |
In a dark time | |
| |
| |
| |
The sloth | |
| |
| |
| |
Effort at speech between two people | |
| |
| |
| |
With his venom | |
| |
| |
| |
Tired and unhappy, you think of houses | |
| |
| |
| |
Helvellyn | |
| |
| |
| |
The truth the dead know | |
| |
| |
| |
As an unperfect actor on the stage (Sonnets 23) | |
| |
| |
| |
That time of year thou mayst in me behold (Sonnets 73) | |
| |
| |
| |
When, in disgrace with fortune and men's eyes (Sonnets 29) | |
| |
| |
| |
When forty winters shall besiege thy brow (Sonnets 2) | |
| |
| |
| |
Love's philosophy | |
| |
| |
| |
Stanzas written in dejection - December 1818, near Naples | |
| |
| |
| |
Sweet is the rose, but grows upon a brere (Amoretti 26) | |
| |
| |
| |
The gift | |
| |
| |
| |
The shirt poem | |
| |
| |
| |
Disillusionment of ten o'clock | |
| |
| |
| |
A rabbit as king of the ghosts | |
| |
| |
| |
My shadow | |
| |
| |
| |
Keeping things whole | |
| |
| |
| |
The centaur | |
| |
| |
| |
Notes from a nonexistent Himalayan expedition | |
| |
| |
| |
From Gitanjali (35, 39) | |
| |
| |
| |
The sadness of my neighbors | |
| |
| |
| |
From In memoriam A.H.H. (54) | |
| |
| |
| |
Casey at the bat | |
| |
| |
| |
If I were tickled by the rub of love | |
| |
| |
| |
You shall not despair | |
| |
| |
| |
The evacuee | |
| |
| |
| |
Bent with worry | |
| |
| |
| |
Like city's rain, my heart | |
| |
| |
| |
Streams | |
| |
| |
| |
For my people | |
| |
| |
| |
Lineage | |
| |
| |
| |
Go lovely rose! | |
| |
| |
| |
Tell me a story | |
| |
| |
| |
Dirge for two veterans | |
| |
| |
| |
The runner | |
| |
| |
| |
From Song of myself (50, 52) | |
| |
| |
| |
Year that trembled and reel'd beneath me | |
| |
| |
| |
Patriots' day | |
| |
| |
| |
The Harlot's house | |
| |
| |
| |
The ivy crown | |
| |
| |
| |
Rain | |
| |
| |
| |
We are seven | |
| |
| |
| |
The world is too much with us; late and soon | |
| |
| |
| |
After reading Tu Fu, I go outside to the Dwarf Orchard | |
| |
| |
| |
Lying in a hammock at William Duffy's farm in Pine Island, Minnesota | |
| |
| |
| |
Whoso list to hunt | |
| |
| |
| |
A prayer for my daughter | |
| |
| |
| |
A prayer for old age | |
| |
| |
| |
Politics | |
| |
| |
| |
The lower leaves of the trees | |
| |
| |
| |
Attention | |
| |
| |
| |
The way of the water-hyacinth | |
| |